SKU: 81861187368

How to Find and Approach Your Dream Agent OnDemand Webinar

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Description

How to Find and Approach Your Dream Agent OnDemand WebinarYOU'LL LOVE THIS ONDEMAND WEBINAR IF: You are a writer ready to query your first novel You are a writer who can't get past the form rejection You are a writer looking for an edge when querying You are a writer nervous about pitching in person ABOUT THE ONDEMAND WEBINAR Finding and approaching an agent is often overwhelming and intimidating. There are thousands of agents representing hundreds of subgenres which one is right for you? How do you make

YOU'LL LOVE THIS ONDEMAND WEBINAR IF:

  • You are a writer ready to query your first novel
  • You are a writer who can't get past the form rejection
  • You are a writer looking for an edge when querying
  • You are a writer nervous about pitching in person

ABOUT THE ONDEMAND WEBINAR

Finding and approaching an agent is often overwhelming and intimidating. There are thousands of agents representing hundreds of subgenres-which one is right for you? How do you make contact without closing doors?

This live presentation presents resources and tips for authors on narrowing down their field of agents to query, prioritizing what they want from their representation and how to ask for it, crafting winning query letters, pitching successfully at conferences, and avoiding common mistakes when approaching agents.

Adriann Ranta has been an agent for nearly a decade, representing many debut authors and seeing their books through to successful publication. She's read millions of query letters, been pitched by thousands of authors, and attended countless conferences-this presentation is a culmination of the patterns she's noticed about the memorable techniques and embarrassing mistakes authors often make when querying their work.

WHAT YOU'LL LEARN:

  • Where to find agent listings and their specialties
  • How to match your book with an agent's tastes
  • The techniques for making publishing connections (and why they often aren't necessary)
  • How to avoid unethical or uncommitted agents When conferences are worth the cost (and when to save your money)
  • The elements of a successful query letter
  • How to pitch in person Common mistakes authors make when pitching to agents and how to avoid them

INSTRUCTOR:

Adriann Ranta is an agent at Foundry Literary + Media. She represents New York Times bestselling and award-winning authors, journalists, illustrators and graphic novelists, as well as cultural commentators, stuntwomen, makeup artists, and many other pioneering creative thinkers and leaders in their fields. She is actively acquiring all genres for all age groups with a penchant for edgy, dark, unusual voices, unique settings, and everyman stories told with a new spin. She loves gritty, realistic, true-to-life stories with conflicts based in the real world; women's fiction and nonfiction; accessible, pop nonfiction in science, history, and craft; and smart, fresh, genre-bending works for children.

A magna cum laude graduate of the University of Arizona, Adriann's first introduction to publishing was at The Editorial Department, a freelance editorial firm based in Tucson, AZ. After making the move to New York, Adriann spent two years at Anderson Literary Management and six years at Wolf Literary Services, before moving to Foundry in 2015.

NOTE: Writer's Digest does not offer refunds for OnDemand Webinars. All sales are final. OnDemand Webinars do NOT include a critique.

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SKU: 81861187368

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I haven’t disliked a book this much in a very long time. The characters are unlikeable, the puppets are annoying, the child is annoying, and the reason for the family secret (though I understand grief can sometimes make us do weird things) was (for me) unremarkable. For the first 75% of the book it seems like we’ve been lied to and the book isn’t about ghosts at all, that it's about a creepy little puppet possessed by a poltergeist. But then we learn the house and all the creepy dolls, puppets, and taxidermied animals are, in fact, haunted. I won’t tell you by what/who because that will spoil “the twist”. What I will tell you is that it is an unremarkable twist is a story that is too long. The only real enjoyment I got out of this book was when I read the last page. So, why have I given it 3 stars? Because it isn’t a bad book. It just isn’t for me. I wanted a clear ghost story that didn’t involve creepy puppets and uncompelling characters. Instead, I got Pupkin and Louise and Mark. In fairness, though, Mark actually develops over the course of the story. If you don’t mind annoying puppets seemingly possessed by a poltergeist (wink, wink), an MC who continues to deny what’s happening until denial is no longer an option (yes, I know that was the point of that section), family secrets that make no sense, and character conflict that could be easily resolved by just talking to one another, then you’ll probably enjoy this book.
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