SKU: 7888765233

Eureka Stockade Flag – Accurate Fully Sewn Southern Cross Flag

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Description

Eureka Stockade Flag – Accurate Fully Sewn Southern Cross FlagIn Stock. Orders before 1: 00PM AEST ship the same business day from our Brisbane warehouse via Australia Post. Bundle & Save on Premium Flags Quantity Price Flag Total Savings 1 flag $170 $170 Best Value 2 flags $145 $290 Save $50 3 flags $140 $420 Save $90 4 flags $135 $540 Save $140 5 flags $125 $625 Save $225 Trusted by thousands of Aussie customers. Accurate Proportions Embroidered Cross & Stars Made to Honour the Original The Eureka Stockade

In Stock. Orders before 1:00PM AEST ship the same business day from our Brisbane warehouse via Australia Post.

Bundle & Save on Premium Flags

Quantity Price/Flag Total Savings
1 flag $170 $170
⭐ Best Value 2 flags $145 $290 Save $50
3 flags $140 $420 Save $90
4 flags $135 $540 Save $140
5 flags $125 $625 Save $225

Trusted by thousands of Aussie customers.

Accurate Proportions · Embroidered Cross & Stars · Made to Honour the Original

The Eureka Stockade flag is one of the most powerful and meaningful symbols in Australian history. It represents unity, fairness, and the fight for democratic rights, values that continue to shape Australia today.

At The Flag Men, we’re passionate about telling this story. That means producing a flag that respects the original design, proportions, and construction.


A Brief History of the Eureka Flag

The Eureka Flag was flown during the Battle of the Eureka Stockade on 3rd December 1854, a defining moment in Australia’s democratic development. Although the diggers were defeated militarily, their stand directly led to political reforms and the foundations of representative government in Australia.

The original flag was hand-sewn by women on the goldfields, likely under time pressure and with limited materials. Its irregularities, layered construction, and bold simplicity give it a raw, powerful presence unlike any other Australian flag.

For a detailed and authoritative account of the Eureka story, we recommend reading up here: 👉 The Eureka Centre, Ballarat


Made to the Correct Historical Proportions

Most Eureka flags sold today are not made accurately.  A common mistake is producing the flag in a standard 1:2 ratio (for example, 1800 x 900mm), which is not correct for the Eureka Flag.  Our Eureka flag is made to the correct proportions.

  • ✔ A unique 13:20 proportion, designed to differ from modern national flag ratios and reflect the original 1854 design.
  • ✔ Our large size: 1800 x 1170mm - it's huge!

Embroidered — Not Printed

Cheap printed Eureka flags miss the entire point.

The original flag was constructed, not printed — with separate materials used for the cross and stars, layered over the blue field. To reflect this:

  • Fully sewn construction
  • Embroidered Southern Cross stars
  • Embroidered white cross
  • No flat, glossy, printed finish
  • A textured look and feel that echoes the handmade original
  • Correct symmetry of the cross
  • Correct size and orientation of the eight-pointed stars
  • Visual balance of the central star
  • Correct colour contrast and layout

While modern machinery can’t exactly replicate 1850s hand sewing, this embroidered construction produces a flag that looks right, feels right, and lasts.

In short: this is how the Eureka Flag is meant to look.


Our Eureka Stockade Flag

  • Fully sewn construction — no printing here. Real fabric. Real stitching.
  • Heavy-duty outdoor flag fabric — 160gsm polyester ideal for outdoor use. Quick drying to prevent the build-up of mould and mildew after rain. Light enough to fly in the wind and strong enough to resist tearing in high wind.
  • Double-stitched hems with reinforced corners — added durability where it matters most.
  • Embroidered cross and stars — sewn for a premium, traditional finish.
  • Includes plastic flagpole clips — quiet, secure, and easy to attach.
  • Large size: 1800mm x 1170mm — made to suit 6m flagpoles and reflect correct historical proportions.

 

Perfect for:

  • Flying at homes, properties, sheds, and workshops
  • Displaying alongside the Australian National Flag
  • Australians passionate about history and heritage
  • Collectors seeking a historically accurate Eureka Flag
  • Gifts for history enthusiasts and proud Australians
  • Schools, clubs, museums, and commemorative displays
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
  • Please click here for more details>>> Return & Exchange Policy
SKU: 7888765233

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4.8 ★★★★★
Based on 919 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
Natrona Heights, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Grantham, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
New York, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Chelsea, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Alexandria, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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