SKU: 5646693953

Forté Fourfront FS4 Seclusion and Isolation Care Mattress/Bed Replacement

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Description

Forté Fourfront FS4 Seclusion and Isolation Care Mattress/Bed ReplacementSAFE FOR SECLUSION The Fourfront FS4 Seclusion mattress combines a bed and mattress into one safe piece of furniture. Furniture and objects within a seclusion room can be dangerous so reducing the number of objects makes the environment safer. The Fourfront Seclusion mattresses are made from heavy duty materials and construction methods for the highly demanding mental health seclusion applications. Heavy duty materials include PVC covers (with options

SAFE FOR SECLUSION

The Fourfront FS4 Seclusion mattress combines a bed and mattress into one safe piece of furniture. Furniture and objects within a seclusion room can be dangerous so reducing the number of objects makes the environment safer.

The Fourfront Seclusion mattresses are made from heavy-duty materials and construction methods for the highly demanding mental health seclusion applications. Heavy duty materials include PVC covers (with options of fabric weight of 1050gsm!) with high frequency welded seams, reinforced within the cover with sewn seams.

Other safety features include:

  • No hard materials or corners – constructed using foam, no inner timber or metal frame

  • 100% Waterproof (including seams) for improved hygiene

  • Anti-ligature – no zips, cords or sharp edges

  • Fully sealed and enclosed – cannot hide objects inside the mattress

  • No maximum safe work loading – supports body weight when stood on

  • Fire retardant

4-WAY ROTATIONAL

The Fourfront mattress range has been designed to be usable on four different sides – head to foot and flipped – head to foot too. Caregivers can have peace of mind that if patients with behavioural concerns play with and rotate their mattress, they are able to receive the right quality of care and comfort.

Foam Medical mattresses are typically graded with different foam densities and firmnesses, with the firmest foam as the foundation on the base of the mattress. In the instance that the client does flip this conventional style of mattress, no comfort or pressure care will be offered. As such this type of mattress is not ideal for the mental health application.

Where is the foundation if it is not on the base of the mattresses?

4-Way rotational mattresses have a unique design whereby the foundation of the mattress is the centre layer with immersion regions on either side.

FIRE RETARDANT

The mental health care environment has patients with special needs that may differ from the acute care environment. Patients typically suffer mental illnesses which is a health condition that involves changes in emotion, thinking or behaviour (and/or a combination of these). Mental illnesses are associated with distress and/problems functioning in social, work or family activities. There can be a lot of risks involved with patients that have poor mental health – including self and property harm, for example, risk of fire.

As such, it is a standard for mental health medical equipment for all equipment to be anti-ligature and fire retardant.

For a mattress or support surface to truly meet mental health standards, All materials used must be fire retardant, including what is inside the cover.

What does Fire Retardant mean? A fire retardant is a substance that is used to slow down or stop the spread of fire or reduce its intensity. This is commonly accomplished by chemical reactions that reduce the flammability of fuels or delay their combustion.

All foams used in Forté mental health mattresses meet BS5852 Source 5 Specification. Covers meet BS 6807 ignition source 5 and BS 7175 ignition source 5 standards.

What is BS5852 Source 5 Specification?

Test methods for assessing the ignitability of covers and fillings used in upholstered products such as mattresses, by smouldering and flaming ignition sources

BS5852 is a British Standard that describes methods for assessing the ignitability of single material combinations, e.g. cover and foam core of a mattress, when subjected either to a smouldering cigarette or to flaming ignition sources of thermal output ranging from that of a burning match to that approximating to the burning of four double sheets of full-size newspaper, as might be applied accidentally to any item of furniture.

Source five is one out of seven ignition sources of the BS5852;

Source

Combustion type

Ignition source

Details

Energy inputs, Kw.h

5

Flaming

Crib

17 g

0.08

What is BS 7175 ignition source 5 Specification?

Methods of test for the ignitability of bedcovers and pillows by smouldering and flaming ignition sources. BS 7175 describes methods of test for the ignitability of bedcovers and pillows when subjected to smouldering and flaming types of ignition sources of differing severities.

Source five uses a wood crib 5. A crib is composed of wooden planks glued together. Lint is attached to the bottom. After adding propane-diol, the crib is placed on the test rig and ignited with a match. If no flaming or progressive smouldering is observed on both cover and foam core, the test is recorded as no ignition and the material passes the test.

ANTI-LIGATURE

The environment in a mental health facility, correctional facility, group home, or any application where safety and security can often feel isolated and confined, leaving residents in a fragile state. In these environments, everyday items, even something like bedsheets, could be seen as a means of harm, either to oneself or to others.

That is what makes anti-ligature furniture in correctional facilities, psychiatric facilities and behavioural health facilities critical. Whether it’s a piece of resident room furniture, like a mattress, or dining room furniture such as a dining table, furniture in these applications must be designed to prevent injury to self or others and must have absolutely no areas where any object can be tied to.

Mental health standards specify support surfaces must be anti-ligature. A ligature point is anything that can be used to tie a cord, rope or other material for the purpose of hanging. An anti-ligature product is one that reduces the risk of self-harm through strangulation, by making it as difficult as possible to secure a cord or other material in place. Ligature resistant mattresses do not contain any points where cords, ropes, or even bedsheets can be attached.

Hanging or strangulation is the most common method of suicide for patients in psychiatric care (used in approximately 75% of cases), so minimising ligature risks is a key area of concern for care providers.

To achieve an anti-ligature mattress, the cover must be fully sealed and enclosed with no zip or means of access inside the cover. The cover must be constructed with welded seams and reinforced with stitching on the underside of the cover for ultimate seam strength. Strong seams and cover construction, as well as heavy duty fabrics, ensure the support surface is pickproof to prevent the concealment of contraband and protect against any foam core damage.

It is important to understand that a ligature resistant support surface should not be taken lightly. While inmate and patient mattresses may seem like something insignificant when compared to other obstacles, it is in fact one of the most crucial parts in ensuring a safe and healthy environment. There are many challenges when designing behavioural health and correctional facilities because they must have an atmosphere that is aesthetically pleasing and welcoming, in order to support the healing process, and keep vulnerable residents safe and well. Research by professionals has proved by removing access to any method where self-harm can occur is effective in its prevention.

A well-built anti-ligature mattress should give you peace of mind, knowing your residents and staff can remain comfortable and safe!

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SKU: 5646693953

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A.M.
Omaha, US
★★★★★ 5
It truly is the most Essential Guide
Format: Paperback
I've worked as a professional comic book letterer for more than a decade. I've had to learn a lot through trial and error since there was so little written about this technical field of work. Finally, there is now a book for amateur letterers to have all they need to understand the craft and for professional letterers to both reference and pick up new ideas from. This book isn't just a tutorial on "how to letter comics." This also showcases creative ways to letter, interesting techniques that even experienced letterers might not know about, and - what I found to be the most helpful - the realities of a letterer's freelance life and ways the write had worked to develop a good workflow and healthy work schedule to avoid burnout or physical strain. This is an engaging book, so even if you know how to letter well or you know nothing about lettering and want to understand the kind of work that letterers do, I highly recommend this as a great read. Through my experience, I developed very different methods than what this guide described, but both are valid and I even picked up new ideas and tried out new ways of doing things while reading this book. If you want to learn how to letter, buy this book. If you want to be a better letterer, buy this book. If you don't want to letter but you want to know more about how comics are made or how one freelances in this industry, this guide is great for that too. The only thing missing is a thorough explanation on how to develop one's own comic book fonts, but like the author said, that would take up an entire book in itself. Here's hoping one day there's a companion guide to comic book font creation, because I would love to learn more about that too.
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Reviewed in the United States on November 3, 2021
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Anon
Natrona Heights, US
★★★★★ 5
Truly Essential! The perfect guide to Comic Book Lettering!
Format: Paperback, Format: Paperback
I'm completely new to Comic Book Lettering with some experience in Graphic Design but I picked this up just for my curiosity. After taking a quick flip with the book, It does not disappoint and lives up exactly to the title. It TRULY is the essential guide to Comic Book Lettering. This book comes from Nate Piekos who is the founder of BLAMBOT (one of the most professional comic book lettering companies to date). He drops every bit of wisdom and experience he's ever received / gotten through into this book and the result speaks for itself. All the tools, techniques, tips, discussions, etc are found here. He goes through what he uses / recommends for programs and tools, breaks down the structures of what goes into comic book lettering (balloons / dialogue / captions / fonts / etc), teaches you how to create a useful / time-saving templates, gives you pointers even at the most subtle aspects of lettering, covering / creating dialogue balloons, covering / creating sound effects, covering / creating logos, etc. There's so much information and visual imagery here within these pages that I can talk about this book day and night.. and again: I'm completely new to this. The book is honestly that inspiring. I recommend this, without a doubt. A master class in comic lettering! Truly thankful for Nate Piekos creating this book as well as those that helped bring it to publication.
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Reviewed in the United States on October 26, 2021
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Honest Reviews
Battle Creek, US
★★★★★ 5
Truly "essential" for any letterer, whether casual or serious about the profession!
Format: Paperback
When I first got this book, I was a bit disappointed. I thought it was going to be detailing lettering by hand. It didn't. But guess what? It's better for it. As the author, Nate Peikos, demonstrates, the bulk of lettering now is done digitally and with good reason. So not only is this book incredibly inspiring for any graphic artist / letterer -- with its many examples of great lettering; its demonstration of useful techniques -- the author is so open and honest in his writing. While reading it, you don't feel that he's putting the job of lettering out of the reader's reach. In fact, he's putting it right within reach through a humility that is coupled with his exceptional skills. If you're an up-and-coming letterer, someone on the outskirts of lettering wanting to delve into it more professional (like myself), or even if you've had some work doing lettering, there is something for each type in this book. It's a book that I'll cherish and reference frequently, especially with all the examples that just ooze inspiration. My only regret is that I didn't know about some of these techniques a few years ago! But, nevertheless, I started implementing some of the techniques the first day after reading just a few pages. It reinvigorated my own desire to become a better and even semi-professional letterer, a very under-appreciated profession.
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Reviewed in the United States on November 5, 2021
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Simon C
Lowell, US
★★★★★ 4
A great overall book, with one critical omission.
Format: Paperback
This is a great book to illuminate the mysterious art of comicbook lettering. It goes deep into the practical details and theory required to make a graphic novel, manga, or superhero comic with the look and feel of a professional product. But comicbook lettering is actually more than a purely aesthetic art form, it plays a critical role in conveying meaning, emotional mood, and tone of voice. Along with the artwork and panel composition, the layout of the lettering and dialogue balloons is also critical to help guide the reader's eyes naturally from panel to panel. If you're curious about how graphic design for visual narrative works, this is an interesting and inspiring book. My only criticism is the conspicuous omission of perhaps the one topic this author is uniquely qualified to illuminate, and that is: the actual creation of the fonts themselves. I've admired Nate's Blambot comic fonts for a long time (and have purchased licenses for some of them), so I was looking forward to at least getting an overview of how he approaches this seemingly critical aspect of comicbook lettering. But no. He doesn't go into it even slightly, which is a shame, because this would have been the perfect book on the topic if he had. I understand that font design is a huge topic unto itself, but was disappointed that in a book of this size, there weren't even a few pages dedicated to discussing the process of making fonts for comicbooks. Literally anyone reading this book would want to know that information. Having said that, it's a great book, and I still enjoyed it very much. You'll probably be surprised by how much more there is to learn about this topic than you may have thought. Reading it will deepen your appreciation for an art form that, like a great movie score, is basically invisible when done very well, yet amplifies the emotional impact of each contributing discipline, and profoundly contributes to the enjoyment of the final experience.
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Reviewed in the United States on September 22, 2022
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Scott Calvert
Alexandria, US
★★★★★ 5
A Lettering Masterclass
Format: Paperback
Nate Piekos is a rockstar. If you want it learn how to letter comics, this is the first thing I would buy. It’s not a fancy book, just practical step-by-step how to do a craft right.
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Reviewed in the United States on May 30, 2026

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