John McGuire - Vanishing Points / A Cappella
SKU: 37667540529

John McGuire - Vanishing Points / A Cappella

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John McGuire - Vanishing Points / A CappellaIn his "Pulse Music" compositions of the mid 1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained

In his "Pulse Music" compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology that was available to him. A conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For "Vanishing Points" (1985-1988), McGuire used an entirely digital set-up for the first time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer 24-track digital tape recorder. The piece was conceived as a "sequel" to the Pulse Music series, but also a step forward from it. Whereas the Pulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerate against one another, vastly increasing the resulting rhythmic complexity. McGuire's exploration of music technology continued in "A Cappella" (1990-1997), written for his wife, the soprano Beth Griffith, known for her recording of Morton Feldman's "Three Voices" made in 1983. Using samples, he created a four-voice choir of voice samples and arranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to the precision of synthesized sounds. This process involved extensive editing and a negotiation between the "material" and the "original conception". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.

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SKU: 37667540529

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New York, US
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My puppy tore it up in about 5min. She had a ball while it lasted.
Color: Crinkle Duck (Yellow), Size: Large
Cute, not durable
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Monkee-doodle loves that it has a crinkle sound when playing tug-of -war
Color: Crinkle Chicken (Yellow), Size: Large
Monkee-doodle likes this toy because it has a squeaker and it also has a crinkle noise maker inside. She loves playing with the toy and it’s easy to spot since it is bright yellow in color. It is suitable for dogs and doesn’t have any pieces that can come loose and harm your pet.
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Great plated and nice designs to chose from . These are good and strong.
Size: 10 in-140 count
Love these plates for every soy. I normally use paper plates for lunch but I started using them for non messy dinners. We have even used them for spaghetti. They handled the sauce and meaball and sausage with no problem. I would normally U.S. China plates for something like the, I got lazy one night and used these I was pleasantly shocked they worked with no leak through.
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Kindle Customer
Battle Creek, US
★★★★★ 5
Sturdy plates
Size: 10 in-140 count
I purchased these but I normally go to Sam’s Club for bulk. I had a party and these were a hit. Very sturdy and plenty of room. I don’t really like the edges, they’re straight but that’s cosmetic preference not function.
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Pawtucket, US
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Daily part of kitchen routine.
Size: 7in-150 count
I've ordered these plates twice and used them on a daily basis. They are durable and economical. Love them!
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Reviewed in the United States on May 3, 2026

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