SKU: 44379409213

Levis Ambiance Muurverf - Extra Mat - Clear Purple B- 20 5 L

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Description

Levis Ambiance Muurverf - Extra Mat - Clear Purple B- 20 5 LLevis Ambiance is een uniek assortiment muurverven, lakken en effectverven met een superieure kwaliteit. De Levis Ambiance muurverf heeft alles wat je nodig hebt om een nieuwe look aan je kamer te geven! De nieuwe HD colour technologie brengt elke muur tot leven. Deze unieke formule bevat sterke kleurpigmenten die voor mooie, diepe kleuren zorgen die niet vervagen. De extra matte afwerking van deze muurverf is ideaal om een "gezellig" effect te

Levis Ambiance is een uniek assortiment muurverven, lakken en effectverven met een superieure kwaliteit. De Levis Ambiance muurverf heeft alles wat je nodig hebt om een nieuwe look aan je kamer te geven! De nieuwe HD colour technologie brengt elke muur tot leven. Deze unieke formule bevat sterke kleurpigmenten die voor mooie, diepe kleuren zorgen die niet vervagen. De extra matte afwerking van deze muurverf is ideaal om een "gezellig" effect te creëren: het verzacht het licht en geeft een gevoel van intimiteit. Levis Ambiance extra mat is beschikbaar in 54 kleuren.

Het Levis Ambiance assortiment is geschikt voor toepassingen op:

  • pleisterwerk
  • gipskartonplaat
  • cementbezetting
  • baksteen
  • ruwe beton
  • cellenbeton
  • betonblokken
  • glasweefsel
  • of reeds geschilderde ondergronden

Deze unieke muurverf kan niet alleen binnen gebruikt worden, maar is ook toepasbaar als buiten verf.

Voordelen Levis Ambiance:

  • niet-zichtbare penseelstrepen
  • hoge dekkingskracht
  • weinig geur
  • goede afwasbaarheid
  • stabiele kleur
  • uitzonderlijk krasvast.

Met Levis Ambiance ben je verzekerd van een perfect uniform en soepel eindresultaat.

Belangrijke specificaties:

  • Afwerking: Extra mat
  • Dekvermogen: 12m² / L
  • Op waterbasis
  • Overschilderbaar / beloopbaar: na 4 à 5 uur


Hoe breng ik Levis Ambiance muurverf aan? Voordat je Levis Ambiance muurverf aanbrengt is een gedegen voorbereiding van essentieel belang.

Nieuwe muren:

  1. Het te behandelen oppervlak moet droog, vet- en stofvrij zijn. Indien van toepassing: scheuren, barstjes en gaten opvullen met Polyfilla all-in one. De ondergrond eventueel licht opschuren (bv. pleisterwerk) en grondig ontstoffen.

 

  1. Vervolgens 1 laag Levis Primer Mur & Plafond Gebruik eventueel Levis Primer Mur & Plafond Grijs voor een zuiver rode of bordeaux afwerking en Levis Primer Mur & Plafond Okergeel voor een zuiver gele of groene afwerking. Bij niet coherente ondergronden wordt Levis Isoprim aangeraden als primer.

 

 

Reeds geschilderde muren:

Er is meestal geen primer nodig op oude lagen in goede staat, mits een goede voorbereiding. Indien van toepassing: scheuren, barstjes en gaten opvullen met Polyfilla. Goed hechtende oude lagen afwassen/ontvetten met ammoniakwater (9 delen water en 1 deel ammoniak). Bij krijtende oude verflagen of roet- en nicotinevlekken, 1 laag Levis Isoprim aanbrengen. Slecht hechtende verf wegschuren en de ondergrond stofvrij maken. Breng vervolgens zeker een primer aan op de kale en de herstelde delen voordat je Levis Ambiance muurverf aanbrengt.

 

Tip & advies voor het aanbrengen van Levis Ambiance:

Enkele tips voor een goede toepassing: goed roeren voor gebruik, aanbrengen met een kwast of roller en aanbrengen bij temperaturen boven + 10 ° C.

 

Breng 2 tot 3 banen aan in verticale richting, verdeel deze vervolgens in horizontale richting en rol tot slot in één richting verticaal na. De muurverf voelt na enkele uren droog aan en is na 4 à 5 uur overschilderbaar. We raden aan om twee lagen verf aan te brengen.

 

Tip: schuur licht tussen twee lagen (korrel P240) voor het beste resultaat!

 

Om je aanbrengborstel schoon te maken, was je hem eenvoudig uit met water. Bewaar na afloop de verfpot altijd op een vorstvrije plaats.

 

ℹ Gezondheid en veiligheid

Bevat: 1,2-benzisothiazol-3(2H)-one en C(M)IT/MIT(3:1). Kan een allergische reactie veroorzaken. Aanraking met de ogen en de huid vermijden en buiten bereik van kinderen bewaren. Dit product bevat maximaal 3 g/l VOS. EU grenswaarde voor dit product (categorie A/a): 30 g/l (2010).

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SKU: 44379409213

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Howard
Waukegan, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 24, 2015
A
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AlanWarner
San Leandro, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 6, 2015
C
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Carole T Emberton
Fort Morgan, US
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 17, 2018
P
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pat delzell
Lake Worth, US
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 14, 2019
B
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B. Kirzner
Los Angeles, US
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones. That being said, this book was too detailed, making it slow reading. Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 8, 2021

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