SKU: 37790113452

Formal Sppeedwear - Punch Card

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Formal Sppeedwear - Punch Card*Pre Order, album out 11th September* LP Die cut sleeve on printed manila board Printed inner sleeve Black Vinyl Download Code CD Printed digipack T Shirt Customisable modular Formal Sppeedwear shirt, comes with 3 iron on patches to create your own vision. Screen printed on Gildan heavy shirt Size chart: www. mygildan. com store au browse productDetailsPage. jsp? productId=2000 Stoke On Trents most tuned in and turned out trio are releasing debut

*Pre-Order, album out 11th September*

LP
-Die cut sleeve on printed manila board
-Printed inner sleeve
-Black Vinyl
-Download Code

CD 
-Printed digipack

T-Shirt
-Customisable modular Formal Sppeedwear shirt, comes with 3 iron on patches to create your own vision. Screen printed on Gildan heavy shirt

Size chart: www.mygildan.com/store/au/browse/productDetailsPage.jsp?productId=2000

Stoke-On-Trent’s most tuned-in and turned-out trio are releasing debut album Punch Card, which might be the avant-garde pop record of the year.

Driven by a desire for sonic collage and bolstered by lateral thinking, ‘Punch Card’ is a crafty lesson in how, with touches of masterful manipulation, the collision of opposing forces can cause sparks to fly and an irrepressible need to dance. “Our aim is to undermine anything leaning too far one way or the other. We shoot for homogeneity - if it sounds good and its component parts can't be pulled out, we’ve matched the job description,” they say of finding balance in their desire to ‘pull the rug’ musically whenever listeners least expect it.

Much like the typo in their name, now proudly worn by the band as a badge of honour, the result is an album of happy accidents that truly embody their audiences’ visceral knee-jerk reactions. The cut-out windows of an eighties protocomputer punch card that line the sleeve offer a portal into Formal Sppeedwear’s universe.

After signing with melodic in 2023, the trio’s now sold out 2024 debut EP - a self-titled, self-produced 12” sample of elastic bass arrangements, leaping guitar motifs and sparse, un-assuming percussive work - picked up notable fans at BBC 6 Music and helped to secure shows around the country with the likes of Fat Dog, Preoccupations, Warmduscher and Divorce. A legion of listeners grew, barraging Instagram DMs curious to unearth the mystery behind their idiosyncratic, off-kilter lyrics – usually a product of Beck’s phonetically-associated wordplay.

Prolific in their output, the band diligently produced Punch Card themselves with mastering from Paul D. Millar (Slug Bug). Led by a preference for sonic variety, they even discarded three tracks not belonging on the record; not because they didn’t fit - but because they did. Through their boomerang voice notes and a sense of telepathy that only college friends bonded by Neu! and Yellow Magic Orchestra could possess, they explain; “There’s definitely a subconscious level to what we do but it’s always driven by what works sonically. The real challenge becomes how to recreate it live.”

Blame those tracks which formed quickly when raw ideas and lyrics flowed from jam sessions in their Tremolo rehearsal room. Jagged, punchy ‘Indecent’ was largely improvised by the trio as a single recorded live take, and ‘The Ballad of DCB’ (avid bookworms in Stoke may have an inkling as to the meaning behind its acronym) was wrangled from a spritely brink of uncertainty after twilight tinkering powered a plethora of jangling guitar lines. Live staple ‘Wait (Hatchet Gets a New Hide) serves as collage of ideas and melodies harking back to the early days of Sppeedwear, completed on a Tascam 488 cassette recorder. 

But, between joyfully jarring twists and turns, it is a rare moment of wistfulness which offers the biggest hint to the album’s wider Punch Card themes. A turning point in the recording process, finale ‘Friedrich Backs Up Nothing’ shimmers with strange atmospheres and sound-manipulated cellos; lyrically considering how history might react to the world today.

Formal Sppeedwear may look and sound something like pop, but Punch Card emerges through collision, constraint, and chance - much like the stamped out geometry that inspired its artwork.

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SKU: 37790113452

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DennyC
Louisville, US
★★★★★ 5
The Unalterable Truth
Format: Paperback
The publisher's description of this book claims that there would be a severe reaction within American society due to the facts Professor Stannard brought to light. There was, unfortunately yet not unexpectedly, not much of a response to the horrifying truths revealed in his compelling narrative on the fate of the Western Hemisphere's indigenous people. Most Americans simply do not seem to care whether their nation's history, from the moment Columbus set foot in "The New World" and claimed that the people he encountered would make good slaves to the immediate present, is bathed in copious amounts of indigenous people's blood. The European's behavior when they were unleashed upon the unsuspecting Native Americans reveals not only their homicidal nature and destructive approach to a relatively pristine world; but their unfathomably horrid and continuous attempts to keep the destruction and death going. Extermination was the name of the game and even a cursory glance at the American newspapers of the nineteenth century reveals a national psychology which leaves one in a vast and endless state of confusion and disbelief. But it's all true. The phrase, "The Final Solution" was coined by nineteenth century Americans, not Hitler's Germany. Tens of millions perished, an eternal food source, the buffalo herds, were almost rendered extinct and while all this was occurring the people of Africa were chained to their masters' bidding. The people of Iraq understand. So do the Vietnamese and now the Syrians and many, many, many more. Of course, on publication Dr. Stannard was labeled a crank for mostly revealing that American "exceptionalism" is merely a high falootin' excuse for mass death and destruction.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 27, 2017
C
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C Rasmussen MD, MS
Chelsea, US
★★★★★ 5
Horrifying but it is a must read
Format: Paperback
This book should be required reading for all high-school students rather than the friendly history books that treat Columbus as a hero. This man was a murderous psychopath. Strong words but after reading this powerful text you will agree. I am ashamed at what these monsters from Spain, and England and elsewhere did soon after Columbus "discovered" the Americas. And all of the sacred knowledge lost. Everything the Mayans wrote down was burned. Knowledge from prehistory--all gone. All of the knowledge from prehistory the Indians in the Amazon basin held, all of the technology on agriculture, building, medicine, sacred knowledge, and much more gone. And for what? I cannot tell you how powerful this book is. I cannot get it out of my head. If you think black lives matter well, sorry folks indigenous Indians of the New World MATTER MORE. They should be rioting for compensation from Spain and England. Oh, I forgot, nobody's left to riot. It was a complete deliberate genocide killing perhaps 80 million paleo-indians from the 15th century on. And they are still killing the rest of them in Mesoamerica and esp. the Amazon where oil and mineral companies are murdering the remainder. And nobody seems to care! Read this book and learn the truth finally.
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Reviewed in the United States on September 19, 2020
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Leric ashe
Boise, US
★★★★★ 5
In 600yrs. , life itself, is elusive
Format: Paperback
American Holocaust or books related to the Native American should be required reading. The carnage or genocide, on the inflicted erased thousands of years of culture. We have lost so much which makes us, all less. Hispaniola, had a population of 8,000,00, in 1496. By 1535 they were extinct. Equivalent to N.Y. city today. Spanish and British. One looking for gold, the latter imposing European values, to steal land. But what was most fascinating, the religious hypocrisy. To kill, enslave, torture in the name of God. Who snatches babies from their mother, and feeds them to dogs, hanging natives from a gibber, and burned alive, brand enslaved women's faces every time they are resold ? The British and Spanish were the "Very ministers of Hell".
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Reviewed in the United States on November 19, 2023
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Tameka Hanford
Louisville, US
★★★★★ 5
Academic / Thought-Provoking
Format: Paperback
They Were Her Property: White Women as Slave Owners in the American South is a powerful, eye-opening work that challenges long-held assumptions about slavery and gender in American history. Stephanie E. Jones-Rogers thoroughly dismantles the myth that white women were passive or marginal participants in the institution of slavery. Through meticulous research and extensive use of primary sources, including legal records, letters, and testimonies from formerly enslaved people—the book reveals that many white women were active, knowledgeable, and often brutal slave owners in their own right. What makes this book especially compelling is how it centers the voices and experiences of enslaved people to expose the economic, legal, and physical power white women wielded. Jones-Rogers shows that white women not only benefited from slavery but also enforced it, defended it, and used it to build wealth and social status. The writing is clear, authoritative, and accessible, making complex historical arguments understandable without oversimplifying them. This book is an essential read for anyone studying American history, slavery, race, or gender. It forces readers to confront uncomfortable truths and rethink narratives that have long softened or excused the role of white women in slavery. They Were Her Property is both academically rigorous and deeply impactful—a necessary contribution to honest historical understanding.
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Reviewed in the United States on December 16, 2025
E
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Eric Hobart
Cuba, US
★★★★★ 5
Remarkable analysis of slaveholding women in Antebellum America
Format: Paperback
Stephanie Jones-Rogers has provided us with a book that looks at the South's "peculiar institution" through a very different lens - the slaveholders/slaveowners, but this analysis looks at women that owned slaves, thus opening up a new avenue of study that I hadn't previously seen. Jones-Rogers offers a well written account that is rich in historical details. She demonstrates through vivid historical evidence that the women that owned enslaved people were primarily driven by economic motives, and that these women were just as demanding and could be just as harsh as the "typical" slaveowner image that has been crafted over the years. The book is organized thematically, and each chapter demonstrates the economic motivation behind slave ownership. The reader is offered views of everything from young children becoming slave owners when their parents "gifted" them an enslaved person, and how these young girls were taught that this was "property" that could be used as desired to how these female slaveholders would sell their slaves to meet their economic goals. All told, this is a fascinating book that uncovers a long ignored slice of Antebellum American history that makes the historiographical literature of pre-Civil War history much richer.
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Reviewed in the United States on June 4, 2021

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