SKU: 76937505706

Zoom H5 Handy Recorder With Interchangeable Microphone System

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Description

Zoom H5 Handy Recorder With Interchangeable Microphone SystemIdeal for documentaries, podcasting, audio for video, and professional sound design, the Zoom H5 portable handheld recorder lets you quickly record up to four input signals regardless of your audio experience. With a swappable stereo microphone capsule, versatile 2 channel inputs, and up to 4 track recording, the H5 is both user friendly and easily expandable. Like other H Series Handy recorders such as the H4n Pro and H6, you can hold it in your

Ideal for documentaries, podcasting, audio for video, and professional sound design, the Zoom H5 portable handheld recorder lets you quickly record up to four input signals regardless of your audio experience. With a swappable stereo microphone capsule, versatile 2-channel inputs, and up to 4-track recording, the H5 is both user-friendly and easily expandable.

Like other H-Series Handy recorders such as the H4n Pro and H6, you can hold it in your hand, attach it to a mic stand or tripod, or mount it to a camera (shoe mount available separately); the H5 packs an impressive array of features into a rugged, rubberized body that's more than ready to meet the varied demands of musicians, videographers, sound designers, content creators, and news shooters.

From the plentiful battery life to the powerful audio processing functions, the H5 is well equipped to handle anything from tracking live performances and podcasts to recording interviews, dialogue, and sound effects. It can supply phantom or plug-in power for condenser mics, or accept direct connections from synths, keyboards, drum machines, or +4 dB line-level mixers. No matter the source, selectable auto-recording and pre-recording ensure that you'll never miss the start of a take, and stereo safety track recording provides duplicate tracks at a lower level to avoid distortion.

Fast, User-Friendly Operability

The H5's front panel is ergonomically arranged with its most essential and commonly used controls—transport buttons for record, play/pause, stop, back, and forward operations, individual record-arm buttons that double as mute switches during playback, and large gain knobs. For added safety, a hold switch disables all front-panel buttons to prevent accidental operation during recording. Day or night, view vital information such as audio levels, recording time, battery status, and more on the large, monochrome backlit LCD.

Instant Access to Gain Adjustments

Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. There's no track selection or button pressing required to optimize your recording levels; just turn the dials (clearly labeled from 0 to 10) anytime you need to adjust the gain. If your XLR-1/4" input source is so loud that you need even less gain than the preamps provide at the "0" setting, use the menu system to activate the -20 dB pad (selectable per input).

Interchangeable Stereo Microphone Capsule

Leave your external mics at home and travel light. The H5 is outfitted with Zoom's XYH-5 interchangeable stereo microphone that provides clear, phase-accurate capture in a classic 90° X/Y configuration for a tight stereo image. The matched unidirectional condensers are housed within a specially designed shockmount that employs rugged external mic wires and rubberized material to minimize vibration and handling noise. With nothing more than the H5, you're set to record speech, practice sessions, concerts, or ambient and environmental sounds, even ear-rattling ones up to 140 dB!

Supports Interchangeable Zoom Mic Capsules

The Zoom mic capsule input on the H5 accommodates Zoom's line of separately available interchangeable capsules, which can be swapped out as easily as the lenses of a camera. With mid-side, X/Y, and shotgun mic capsules to choose from, you can be ready to record music, dialog, or sound effects without carting an external microphone setup. Opt for the EXH-6 combo input capsule to accept two additional mic/line signals via XLR-1/4" jacks.

2-Channel Microphone/Line Inputs

Equipped with two XLR-1/4" combo inputs and a 3.5mm stereo mini-jack input, the H5 can accommodate condenser microphones, +4 dB balanced line-level sources, or signals from unbalanced instruments with active electronics. Turn on 12, 24, or 48 VDC phantom power to the XLR jacks, or 2.5V plug-in power to the mini jack. Whether you plan on recording studio condenser mics, a stereo feed from a mixer or wireless receiver, or a lavalier mic for an interview, the H5's preamps (identical to those found in the H6) are ready to deliver low-noise (-120 dB EIN) performance.

If you happen to setup external microphones in a mid-side configuration, the integrated MS decoder allows adjustment to the perceived width of the stereo image, which is beneficial for sound design, broadcasting, or general stereo-to-mono compatibility.

Record up to 4 Channels Live or Overdub Layers

The H5 boasts multiple recording modes, and is capable of up to 24-bit / 96 kHz resolution. Record in stereo from the X/Y mic capsule or input jacks, or use Multi File mode to simultaneously record the X/Y mic and two external sources (great for getting the room sound and a stereo feed from a mixer). Alternatively, Multi File mode can be utilized for overdubbing in case layers of instruments need to be added after an initial recording. The H5's internal mixdown function lets you adjust levels and pans as you blend four tracks down to stereo.

SD Card Recording and Audio Interface Functionality

Maximize portability by recording directly to an SD card (up to 2GB capacity) or SDHC card (up to 32GB capacity). A 2GB SDHC card will yield approximately three hours of 16-bit / 44.1 kHz stereo recording time using the BWF-compliant WAV format for uncompressed audio quality and industry-standard file compatibility. Note that media cards are available separately, and larger capacity cards will increase startup times.

Alternatively, use the H5 as a 4-in/2-out USB 2.0 audio interface at up to 24-bit / 48 kHz. For audio interface operation with an iPad (Apple Camera Connection Kit required and available separately), select USB Stereo mode, which offers two channels in and out at up to 16-bit / 48 kHz. The USB port also enables fast file transfer and firmware updates.

3.5mm Outputs for Simultaneous Hookup to a Camera and Headphones

The H5 boasts 3.5mm line and headphone mini-jack outputs for simultaneously feeding your camera/DSLR and a pair of headphones. In addition to the dedicated side-panel headphone volume control, the level of the line output can be adjusted via the menu, allowing you to optimize the signal level being sent to your camera without the need for an attenuator cable. For quick playback reference, a built-in monophonic speaker is also provided.

Powered via AA Batteries or AC Adapter

Power the H5 via two AA batteries, or plug it into a wall outlet with an AD-17 AC adapter (available separately). Alkaline batteries can keep the H5 running for up to 15 hours of continuous 16-bit / 44.1 kHz recording using the built-in X/Y mic. When using the H5 in the stereo USB audio interface mode, USB bus powering is possible.

Rugged and Portable, Handheld or Mounted

The rubberized, ergonomic body lends itself naturally to handheld use. Should you need to mount it on a mic stand or tripod, a threaded hole on the back of the H5 obviates the need for stand adapters. Obtain a hot shoe adapter (available separately) to attach the H5 directly to a DSLR.

Signal Processing Adds Sonic Polish

The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low-frequency rumble. Normalize files for maximum gain, split them into smaller chunks, and even insert up to 99 marks per recording.

There's an onboard metronome and tuner, and you can loop playback and adjust pitch and speed independently, making the H5 an ideal tool for phrase training.

Special Recording Functions

The H5 offers selectable recording functions designed to prevent you from accidentally missing the start of a performance. By keeping the previous two seconds of audio whenever you press the record button, the pre-record option ensures that you'll never cut off the beginning of a great take. Auto-record can automatically start recording when a user-set sound level is detected, making it great for voice-activated recording.

Backup record enables the H5 to automatically record a duplicate set of stereo tracks with 12 dB less input gain. Even if your original track is distorted, chances are the backup version will be fine!

Supports External Remote Control

Use the RCH-5 remote (available separately) to control the transport, arm tracks, and adjust volume at a distance while eliminating handling noise.

Includes Audio Software
The H5 comes with free download licenses for Steinberg's Cubase LE music production software and WaveLab LE audio editing software, representing a complete audio production toolkit.

 

Features

  • Live/Location Recording & Podcasting
  • Swappable Stereo Mic, Built-In Speaker
  • Dual XLR-1/4" Mic/Line Inputs
  • Fast, User-Friendly Operability
  • Records in WAV up to 96 kHz
  • 3.5mm Line & Headphone Outputs
  • Onboard Compressor & Low-Cut Filter
  • Powered via Batteries, AC, or USB
  • Supports SDHC Cards up to 32GB
  • Stereo Safety Track Recording

Specifications

Form Factor
Handheld Recorder
Primary Use Applications
Audio-for-Video, Dictation & Transcription, Music Recording
Number of Tracks
4
Number of Input Channels
4
Maximum Sampling Rate
96 kHz / 24-Bit
Microphone
Interchangeable Cardioid Condenser Stereo Pair, X/Y Configuration
Number of Microphone Inputs
2
Built-In Speaker
Yes, 400 mW Mono
Display
Monochrome LCD (Backlit)
Memory Card Support
SD (16 MB to 2 GB)
SDHC (4 to 32 GB)
Internal Storage
No
Special Features
Pre-Record Buffer, Remote Control Capable, Voice Activation
Recording
Audio File Formats
BWF, MP3, WAV
Sample Rates
WAV:
44.1 / 48 / 96 kHz (Stereo)
MP3:
44.1 kHz
Bit Depth
16 / 24-Bit
Bit Rates
48 to 320 kb/s
Signal Processing & FX
Compressor, Limiter, Low-Cut Filter, Pitch Control
Timecode Support
No
Recording Time
WAV 44.1 kHz/16-Bit:
1 Hr 30 Min per GB (Stereo)
MP3 320 kb/s:
7 Hrs per GB (Stereo)
Included Software
No
Connectivity
Analog I/O
2x Combo XLR-1/4" TRS Female Balanced/Unbalanced Line/Mic Input
1x 1/8" / 3.5 mm TRS Female Unbalanced Line/Mic Input
1x 1/8" / 3.5 mm TRS Female Unbalanced Line Output
1x 1/8" / 3.5 mm TRS Female Unbalanced Headphone Output
Digital I/O
No
Phantom Power
+12 / 24 / 48 V (Selectable on Individual Inputs)
Plug-In Power
Yes, 2.5 V
System Connection
1x Mini-USB (2.0)
Audio Interface Capability
Multi-Track
Wireless
No
Mobile App Compatible
No
Performance
Gain/Trim Range
X/Y Mic Capsule:
Up to +52 dB
1/8" Inputs:
Up to +52 dB
Mic/Line Inputs:
Up to +55 dB
Max Input Level
Mic/Line Inputs:
+22 dBu (Pad On)
Headphone Output Power
20 mW per Channel into 32 Ohms
Impedance
1/8" / 3.5 mm Inputs:
≥2 Kilohms
Mic/Line Inputs:
≥1.8 Kilohms
Line Outputs:
≥10 Kilohms
Equivalent Input Noise (EIN)
≤-120 dBu
Microphone Sensitivity
-45 dB/Pa
Microphone Max SPL
140 dB SPL
Power
Power Options
Battery, USB Bus Power, AC/DC Power Adapter
Battery Type
2x AA (Not Included)
Approximate Battery Life
WAV 44.1 kHz/16-Bit:
15 Hours (Alkaline, 2 Channels)
WAV 48 kHz/24-Bit:
7.2 Hours (Alkaline, All Channels)
AC/DC Power Adapter
5 VDC at 1 A (Not Included)
Physical
Included Accessories
USB Cable, Windscreen
Mounting Options
1/4"-20 Female
Dimensions
2.6 x 1.7 x 5.3" / 66.8 x 42.1 x 135.2 mm (Recorder)
2.6 x 1.6 x 2.4" / 65.5 x 41 x 62.2 mm (X/Y Mic)
Weight
6.2 oz / 176 g (Recorder)
3.3 oz / 94 g (Mic)
Packaging Info
Package Weight
1.65 lb
Box Dimensions (LxWxH)
9.25 x 6.6 x 3.4"
Shipping Notes
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SKU: 76937505706

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4.8 ★★★★★
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Dick
San Leandro, US
★★★★★ 4
Good but more academic
Format: Hardcover
I love Brant Pitre, especially his books Jesus and the Jewish Roots of the Eucharist and Jesus the Bridegroom. I would say those books should be required reading for anyone who is catechist or is involved in RCIA as Catholics. This book is good, however it is primarily an academic work where Dr. Pitre takes on the Historical Jesus movement and Dr. Bart Ehrman in particular. In this book he goes on to show that the gospels were written within a few decades of Jesus death by the disciples that have given their names to the gospels. He uses his knowledge of Jewish faith and culture to show that Jesus really does claim to be God in all the gospels, not just the Gospel of John. It is a good book but not one that I would find useful on a regular basis.
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Reviewed in the United States on March 14, 2016
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Russell P. Hills
Fort Morgan, US
★★★★★ 5
BEST BOOK IN 20 YEARS
Format: Hardcover
BEST BOOK that I have read in 20 years. This should be required reading in Christian schools. Every Christian who has graduated from high school should read this book. As one who has studied Church History, Hebrew, Aramaic and Greek myself, I had become very disappointed in what passes as scholarship, even among Ivy Leage graduates, in the 21st century. HOWEVER, Dr. Pitre's book is a great encouragement that there really are people "out-there" that display genuine scholarship. With Appreciation, Russ Hills, Ph.D.
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Reviewed in the United States on January 13, 2026
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A
Port Orchard, US
★★★★★ 5
A Case for Jesus' Divine Self-Conception
Format: Kindle
This is a very meticulously reasoned argument attempting to show that Jesus had a Divine self-conception. That is, Jesus believed, and claimed, that he was God. Pitre begins by posing C.S. Lewis’ famous “trilemma” to the reader. If Jesus claimed to be God, we have three ways to respond – he was either a Liar, Lunatic, or Lord. Pitre’s work in this book strives to bring us back, face to face, with this trilemma. To accomplish this, Pitre needs to defeat another popular notion in the modern mind – that Jesus, or at least much of the Gospel material about him, was a “Legend.” If Pitre can show that Jesus did, in fact, historically claim Divinity, we will be forced to respond to his claim and answer Jesus’ own question for ourselves – “Who do you say that I am?” To accomplish this Pitre first attempts to show that the Gospels are historically reliable. He believes that, contrary to modern scholarly opinion, the Gospels were indeed written by the authors they have been attributed to (Matthew, Mark, Luke, and John), that they were intended to portray historically accurate biographical pictures of Jesus, and that they were written much more closely to the time of Jesus than liberal scholars assume (Pitre tentatively dates the synoptic Gospels all before the destruction of the Temple in AD 70). These three pieces of evidence – authorship, intent, and dating – all lead Pitre to the conclusion that the Gospels give us historically accurate information about Jesus. After setting the stage by arguing for the accuracy of our sources, Pitre delves into the synoptic Gospels (Matthew, Mark, and Luke) and tries to show that although it is not always explicit (i.e. Jesus doesn’t say “I am God, worship Me.”) even the synoptics portray Jesus as claiming Divinity. Using evidence such as Jesus’ use of the titles “Son of Man” and “I Am,” prophesy from the book of Daniel, Jesus’ “stilling of the storm,” the transfiguration, the pronouncement of the forgiveness of the parlytic’s sins, the riddle about the Son of David being David’s “Lord,”, the crucifixion, and the resurrection, Pitre makes his case. In the end, he believes that not only do the Gospel authors portray Jesus as Divine, but that these claims came from Jesus himself. Thus we are led, full circle, back to the trilemma. We can call Jesus Liar, Lunatic, or Lord, but not, according to Pitre, a Legend. This was a really interesting read from a conservative scholar. His exegesis of many Gospel passages illuminate how the Hebrew Scriptures provide a much needed backdrop for understanding each story. The Gospels are much more nuanced than we might first think and oftentimes one saying or image may evoke whole passages or concepts from the Old Testament that would have been apparent to early Jewish readers. As Pitre argues, understanding the Jewish context of the synoptic authors helps in understanding their Christology. In the end, I agree with Pitre that the Gospels are generally more historically accurate than “mainstream” scholars give them credit for. I think it’s plausible that the Gospel titles reveal their true authors and that they were written fairly early after Jesus’ death (before the fall of Jerusalem). I also agree that the Synoptics may implicitly ascribe Divinity to Jesus – although I don’t think that is an open and shut case. If there were more explicit cases in the synoptic Gospels where Jesus claimed Divinity, it would help his case. It still seems to me the only explicit sayings we have come from the Gospel of John, which even Pitre doesn’t seem to argue is historically reliable (at least he doesn’t focus on this in the book). It’s probably outside the scope of this book, but I would have loved to see Pitre address the idea of Jesus as Apocalyptic Prophet. He interacts with several scholars who accept this notion (EP Sanders, Dale Allison, Bart Ehrman, John Meier) and it’s a viable option in the world of Historical Jesus scholarship. I think it’s a relevant topic in all discussions surrounding a Historical Jesus and can be a large factor in how one answers the question of Jesus’ identity. This study is worth reading regardless of your theological persuasion, and Pitre’s arguments deserve serious consideration.
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Reviewed in the United States on February 3, 2016
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Verified Purchase
ShopWeez
San Leandro, US
★★★★★ 5
Relief for dry mouth without gum irritation
Big improvement for users with sensitive gums. These relieve dry mouth during the night almost as well as the regular tabs. Some complained about a residual gel left on the gums. 🙄Just wipe it off. It’s a small thing.
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Reviewed in the United States on May 4, 2026
B
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Bronx Mike
Carnegie, US
★★★★★ 5
An easy fix for dry mouth
Excellent for dry mouth.
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Reviewed in the United States on May 6, 2026

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