SKU: 11852306145

Overloud TH-U Made In Rock - Bundle of 5 (Add-On for existing THU Premium Owners)

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Description

Overloud TH-U Made In Rock - Bundle of 5 (Add-On for existing THU Premium Owners)Made In Rock is a private collection created in the last 20 years by collecting amplifiers, effects, guitars and other items from the stages of glorious artists, like the Led Zeppelin, Noel Gallagher and the Judas Priest. During registration you will be able to select the 5 amp models from the following list: Made In Rock PFL 100 TH U Made In Rock PFL 100 is the plug in based on the unique and finest emulation of the HIWATT* 100 DR103 head, and its

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Made In Rock is a private collection created in the last 20 years by collecting amplifiers, effects, guitars and other items from the stages of glorious artists, like the Led Zeppelin, Noel Gallagher and the Judas Priest.

During registration you will be able to select the 5 amp models from the following list:

Made In Rock - PFL 100
TH-U Made In Rock PFL 100 is the plug-in based on the unique and finest emulation of the HIWATT* 100 DR103 head, and its matched cabinet, which belonged to the Pink Floyd*.

The TH-U PFL 100 model is renowned for its exceptional cleans and its wide dynamic range, making it the perfect pedal platform. This amplifier features two input channels, Normal and Brilliant, each with its own independent drive knob. The Linked input allows for mixing the two channels, offering infinite combinations of tones.

Made In Rock B-SAB 100
TH-U Made In Rock B-SAB 100 is the plug-in based on the unique and finest emulation of the Laney Supergroup* head with serial no. VS4901, and its matched cabinet, played by Tony Iommy* and belonged to the Black Sabbath*.

The TH-U B-SAB 100 head has two input channels. The Treble channel is brighter and more crunchy, with a lot of presence. The Bass channel has a massive amount of bass distortion and a more fuzzy tone. The matched cabinet is a 1970 4x12" Supergroup with Celestion* G12H speakers, which enhance the biting tone of the head. 

MADE IN ROCK - JIM P
TH-U Made In Rock Jim P is the plug-in based on the unique and finest emulation of the JMP50* head, and its matched cabinet, which belonged to the Led Zeppelin*.

The TH-U Jim P head has two channels. CH 1 is brighter and more crunchy, with a lot of presence. CH 2 is much richer on the low frequencies and a bit more fuzzy. Inputs 1 and 2 can be connected with a jumper to have both channels mixed together.
The matched cabinet is the red 4x12" with Celestion* T1511 speakers, which enhance the crunchy tone of the head.

MADE IN ROCK - NG30
TH-U Made In Rock NG30 is the plug-in based on the unique and finest emulation of the AC30* played by the Oasis* at the Locomotive Studios*.

The TH-U NG30 head emulates all the three Channels of the original '63 AC30: the Normal channel has a standard voicing, with a tight tone ranging from super clean to mid crunchy tones. The brillant channel reduces the energy on the low end, adding a lot of presence and helping to balance the crunch tone. The Vibrato/Tremolo channel enables the modulation circuit. The selector allows to choose between the Vibrato modulation, which slightly changes the pitch, and the Tremolo modulation, which recreates the classic Vox "pulsating" tone.

The built-in cabinet is based on the Vox Blue Bulldog 30W Alnico speakers. They deliver a very brilliant tone, which is slightly attenuated by the piece of cloth added to this particular amp, making it really unique.

MADE IN ROCK - JUP 320
TH-U Made In Rock - JUP320 is finest emulation of the Acoustic 320* bass head with serial no. 32002163, and its matched cabinet, which belonged to the Judas Priest*.

The TH-U JUP 320 head has two input Channels, A & B, which can be selected or blended together with different EQ settings. The power boost switch increases the output power on the bass frequencies in order to increase the deepness of the tone. A graphic EQ allows to shape the tone with precision: the bands are centered on the frequencies which were typically used on the '80s to sculpt the bass tones during that era.

The 371 cabinet is based on a huge 1x18" speaker with a very vintage flavor.

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SKU: 11852306145

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4.8 ★★★★★
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Product Reviews
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Dick
Louisville, US
★★★★★ 4
Good but more academic
Format: Hardcover
I love Brant Pitre, especially his books Jesus and the Jewish Roots of the Eucharist and Jesus the Bridegroom. I would say those books should be required reading for anyone who is catechist or is involved in RCIA as Catholics. This book is good, however it is primarily an academic work where Dr. Pitre takes on the Historical Jesus movement and Dr. Bart Ehrman in particular. In this book he goes on to show that the gospels were written within a few decades of Jesus death by the disciples that have given their names to the gospels. He uses his knowledge of Jewish faith and culture to show that Jesus really does claim to be God in all the gospels, not just the Gospel of John. It is a good book but not one that I would find useful on a regular basis.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 14, 2016
R
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Russell P. Hills
Lowell, US
★★★★★ 5
BEST BOOK IN 20 YEARS
Format: Hardcover
BEST BOOK that I have read in 20 years. This should be required reading in Christian schools. Every Christian who has graduated from high school should read this book. As one who has studied Church History, Hebrew, Aramaic and Greek myself, I had become very disappointed in what passes as scholarship, even among Ivy Leage graduates, in the 21st century. HOWEVER, Dr. Pitre's book is a great encouragement that there really are people "out-there" that display genuine scholarship. With Appreciation, Russ Hills, Ph.D.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 13, 2026
A
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A
Louisville, US
★★★★★ 5
A Case for Jesus' Divine Self-Conception
Format: Kindle
This is a very meticulously reasoned argument attempting to show that Jesus had a Divine self-conception. That is, Jesus believed, and claimed, that he was God. Pitre begins by posing C.S. Lewis’ famous “trilemma” to the reader. If Jesus claimed to be God, we have three ways to respond – he was either a Liar, Lunatic, or Lord. Pitre’s work in this book strives to bring us back, face to face, with this trilemma. To accomplish this, Pitre needs to defeat another popular notion in the modern mind – that Jesus, or at least much of the Gospel material about him, was a “Legend.” If Pitre can show that Jesus did, in fact, historically claim Divinity, we will be forced to respond to his claim and answer Jesus’ own question for ourselves – “Who do you say that I am?” To accomplish this Pitre first attempts to show that the Gospels are historically reliable. He believes that, contrary to modern scholarly opinion, the Gospels were indeed written by the authors they have been attributed to (Matthew, Mark, Luke, and John), that they were intended to portray historically accurate biographical pictures of Jesus, and that they were written much more closely to the time of Jesus than liberal scholars assume (Pitre tentatively dates the synoptic Gospels all before the destruction of the Temple in AD 70). These three pieces of evidence – authorship, intent, and dating – all lead Pitre to the conclusion that the Gospels give us historically accurate information about Jesus. After setting the stage by arguing for the accuracy of our sources, Pitre delves into the synoptic Gospels (Matthew, Mark, and Luke) and tries to show that although it is not always explicit (i.e. Jesus doesn’t say “I am God, worship Me.”) even the synoptics portray Jesus as claiming Divinity. Using evidence such as Jesus’ use of the titles “Son of Man” and “I Am,” prophesy from the book of Daniel, Jesus’ “stilling of the storm,” the transfiguration, the pronouncement of the forgiveness of the parlytic’s sins, the riddle about the Son of David being David’s “Lord,”, the crucifixion, and the resurrection, Pitre makes his case. In the end, he believes that not only do the Gospel authors portray Jesus as Divine, but that these claims came from Jesus himself. Thus we are led, full circle, back to the trilemma. We can call Jesus Liar, Lunatic, or Lord, but not, according to Pitre, a Legend. This was a really interesting read from a conservative scholar. His exegesis of many Gospel passages illuminate how the Hebrew Scriptures provide a much needed backdrop for understanding each story. The Gospels are much more nuanced than we might first think and oftentimes one saying or image may evoke whole passages or concepts from the Old Testament that would have been apparent to early Jewish readers. As Pitre argues, understanding the Jewish context of the synoptic authors helps in understanding their Christology. In the end, I agree with Pitre that the Gospels are generally more historically accurate than “mainstream” scholars give them credit for. I think it’s plausible that the Gospel titles reveal their true authors and that they were written fairly early after Jesus’ death (before the fall of Jerusalem). I also agree that the Synoptics may implicitly ascribe Divinity to Jesus – although I don’t think that is an open and shut case. If there were more explicit cases in the synoptic Gospels where Jesus claimed Divinity, it would help his case. It still seems to me the only explicit sayings we have come from the Gospel of John, which even Pitre doesn’t seem to argue is historically reliable (at least he doesn’t focus on this in the book). It’s probably outside the scope of this book, but I would have loved to see Pitre address the idea of Jesus as Apocalyptic Prophet. He interacts with several scholars who accept this notion (EP Sanders, Dale Allison, Bart Ehrman, John Meier) and it’s a viable option in the world of Historical Jesus scholarship. I think it’s a relevant topic in all discussions surrounding a Historical Jesus and can be a large factor in how one answers the question of Jesus’ identity. This study is worth reading regardless of your theological persuasion, and Pitre’s arguments deserve serious consideration.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 3, 2016
S
Verified Purchase
ShopWeez
Whiting, US
★★★★★ 5
Relief for dry mouth without gum irritation
Big improvement for users with sensitive gums. These relieve dry mouth during the night almost as well as the regular tabs. Some complained about a residual gel left on the gums. 🙄Just wipe it off. It’s a small thing.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 4, 2026
B
Verified Purchase
Bronx Mike
Waukegan, US
★★★★★ 5
An easy fix for dry mouth
Excellent for dry mouth.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 6, 2026

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