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Description
Old School by Massena LAB and Luca SopranaMassena LAB is proud to announce the release of Old School, our first collaboration with independent watchmaker Luca Soprana. Old School is a concept watch that began as both an experiment and a study of an aspect of watchmaking previously unexplored by Massena LAB the montre dcole. A traditional montre dcole, translating literally to school watch, is a watch that is designed and crafted by an apprentice watchmaker at the conclusion of their studies.
Massena LAB is proud to announce the release of Old School, our first collaboration with independent watchmaker Luca Soprana.Old School is a concept watch that began as both an experiment and a study of an aspect of watchmaking previously unexplored by Massena LAB — the montre d’école. A traditional montre d’école, translating literally to “school watch”, is a watch that is designed and crafted by an apprentice watchmaker at the conclusion of their studies. The finished montre d’école is then evaluated to determine whether or not the apprentice may call themselves a true watchmaker. Some montres d’école are finished so elaborately that they require a full year of work to complete, and the most talented apprentice-watchmakers create their own movements. It is this attention to detail, dedication, and savoir-faire that is the essence of Old School.
For Old School, Luca Soprana revisits the concept of a montre d’école, twenty years into his career as a master watchmaker.
A second, important influence on Old School can be found in the movement’s finishings, which are typical of the style found in high, German watchmaking. Examining the movement, a keen eye will observe the sober but meticulous work required of traits-tirés or straight-grain finishing, dotted with shining gold chatons.
The movement of Old School is characterized by a broad, three-quarter plate and is constructed entirely of maillechort, or German silver. It includes a blued steel balance spring, a swan-neck regulator with a micro-metrical screw, a bi-metallic balance wheel, and black-mirror finished pallet and escapement bridges. The movement is signed “Massena & L. Soprana” and is engraved with its limited edition number.
The dial of Old School was designed by William Massena and combines several aesthetic influences, including the classic marine chronometers of the late 18th century, especially those by Ferdinand Berthoud, and the sector dials of many chronometer wristwatches — an influence that has been previously explored by Massena LAB in our collaborations with Habring².
Made entirely by hand, the dial of Old School is made entirely of maillechort, which is then plated with rhodium. At its center, the dial is hand-frosted and then plated with gold. A subdial at 9 o’clock, for the seconds, is signed, in midnight blue, with both “Massena & Co.” and “Vaumarcus”, for the castle in Switzerland where Soprana operates his atelier and where Old School is made.
The hands of Old School are hand-filed blued steel. The crown is also carefully made by hand.
Old School features a 41.5mm case in polished and brushed stainless steel, with a thickness of 11mm including the sapphire crystal, which covers both the dial and the display back.
Old School is fitted with an exclusive, midnight blue alligator strap by Jean Rousseau Paris with a stainless steel tang buckle.
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4.7 ★★★★★
Based on 1873 reviews
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Product Reviews
★★★★★ 5
An Excellent Choice
Format: Paperback
Excellent introduction, notes and translation.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 8, 2017
★★★★★ 5
Five Stars
Format: Paperback
Professor Cornford's translation with running commentary is definitive.
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Reviewed in the United States on November 5, 2015
★★★★★ 5
Plato's dialogue about the physical world
Format: Paperback
The two biggest topics in the Timaeus are astronomy and the elements of bodies, which are constructed using triangles and the tetrahedron, octahedron, icosahedron, and cube. I would like to see a translation of the Timaeus that uses it as a way to introduce all the astronomy that appears in the dialogue. Introducing the astronomy does not mean just talking in words about spheres or the zodiac or the ecliptic, but actually explaining how these were used by astronomers. Cornford has much to say, but to someone who has not learned any Greek astronomy his commentary will be opaque and hard to use. I didn't know the astronomy well enough to readily understand Cornford's explanations. I plan to learn more classical Greek astronomy, perhaps using Evans'
, and then read Waterfield's translation of the Timaeus
.
Before reading this you should have read the Republic and know some classical Greek natural philosophy, mathematics, and astronomy. Although Cornford's commentary makes the dialogue staccato, I am glad for it because I wouldn't otherwise have understood much of what Plato says. The Timaeus and the Parmenides are the two dialogues of Plato that one needs commentary to understand; the Parmenides demands the commentary because so much of what is happening depends on the original language, and the Timaeus demands the commentary because of all the things the reader is supposed to be familiar with.
The following is a list of topics I kept while reading the dialogue: theory of Forms 27d-28a, 51a-52a; harmonics 35b-36b; time 37c-38e, 39b-e; vision 45b-46c, 67c-68d; space 52b; surfaces 53c; weight 62d-63e; sound 67a-67c; physiology 70c-79e, 80d-86a; antiperistasis 79e-80c.
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Reviewed in the United States on December 12, 2015
★★★★★ 4
Helpful, but Waterfield is better for an intro
Format: Paperback
This is basically a scholarly paragraph-by-paragraph commentary on the Timaeus. It's really good for what it is, but I don't recommend it as your first introduction to the Timaeus -- rather, I recommend Waterfield:
http://www.amazon.com/Timaeus-Critias-Oxford-Worlds-Classics-ebook/dp/B006NTMD16
A problem with using Cornford as an introduction is that he comments on everything, and it's hard to figure out what the main themes are. I tried reading Cornford as an intro and gave it up, but once I'd read Waterfield I found Cornford extremely helpful both in elucidating passages further than Waterfield does, and in interpreting passages Waterfield doesn't cover. So if you're looking to learn about the Timaeus, I'd suggest Waterfield first and Cornford second (or Cornford alongside Waterfield).
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Reviewed in the United States on February 24, 2014
★★★★★ 5
Cornford's running commentary is arguably the best suited to fulfill this desire
Readers of any of Plato's works are bound to feel they might profit from various commentaries. His Timaeus, in particular, may be said to elicit such a hope because of number and intricacy of its details. Cornford's running commentary is arguably the best suited to fulfill this desire: it helps make clear the integrity of the dialogue as a whole and illumines the specific points along the way. Although this work is certainly dated, originally published in 1937, it is certainly one of the best full commentaries on the Timaeus.
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Reviewed in the United States on November 4, 2014