SKU: 56175892636

Hisham Mayet: The Photographs of Charles Duvelle: Disques Ocora and Collection Prophet - COMPACT DISCS

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Hisham Mayet: The Photographs of Charles Duvelle: Disques Ocora and Collection Prophet - COMPACT DISCSTitle: The Photographs of Charles Duvelle: Disques Ocora and Collection Prophet Artist: Hisham Mayet Label: Sublime Frequencies Product Type: COMPACT DISCS UPC: 9780996678513 Genre: International Release Date: 2017 07 14 Number of Discs: 3 Additional Details: WITH BOOK Disques Ocora, a French label dedicated to capturing and publishing the sounds of folkloric culture from around the world, is held in the highest possible regard in the realms of

Title: The Photographs of Charles Duvelle: Disques Ocora and Collection Prophet
Artist: Hisham Mayet
Label: Sublime Frequencies
Product Type: COMPACT DISCS
UPC: 9780996678513
Genre: International
Release Date: 2017-07-14
Number of Discs: 3
Additional Details: WITH BOOK

Disques Ocora, a French label dedicated to capturing and publishing the sounds of folkloric culture from around the world, is held in the highest possible regard in the realms of professional and amateur ethnomusicology. Instigated in 1958 by Pierre Schaeffer, the founder of musique concrète, Disques Ocora's sterling reputation is largely built on composer and musicologist Charles Duvelle's pioneering field recordings, as well as his now-iconic photographs and graphic design. Charles Duvelle's work is indisputably one of the most important contributions to the human understanding of the rich biodiversity of our planet's music and language. In 1977, his field recordings from Benin were selected by Carl Sagan for inclusion on the Voyager Golden Records, which were carried into outer space by the Voyager spacecraft to stand as an example of humanity's highest musical expressions for the universe's unknown listeners. Sublime Frequencies' most ambitious project to date, this 296-page fine-art photography book comprises an exhaustive collection of Charles Duvelle's field photography from 1959 to 1978 (188 black-and-white and 58 color photographs), demonstrating that this master musicologist had an equally unerring eye for photography; Includes a photo index listing the details of each photograph. It also contains an exhaustive interview with Charles Duvelle by Hisham Mayet, detailing the history of the label and offering Duvelle's unique insights into the discipline of field recording (French and English facing text). The package includes two full-length CDs of archival recordings (some of which have never been published) selected, compiled, and fully annotated by Duvelle himself. Most of the tracks on CD one (Africa) are complete versions of truncated tracks from OOP Ocora LPs. CD two, which includes performances by Sohan Lal, Kheo Oudon, and Madurai Ramaswami Gautam, is focused on material from Asia (music from India and Laos), with two long tracks that have never been released (a third track is a complete unedited version). The material focuses on the five regions surveyed during his time with Ocora: West Africa, Central Africa, Indian Ocean, Pacific Islands, and SouthEast Asia. It includes "Disques Ocora / Charles Duvelle Discography, 1959-1974", a complete overview illustrated with 94 full-color album thumbnails, "The Prophet Collection, 1999-2004" a discography of Duvelle's post-Ocora label illustrated with 41 full-color album thumbnails, "Eastern Music in Black Africa", a 17-page report prepared by Charles Duvelle at the request of UNESCO (February 1970), and a review of the Ocora catalogues (1964-1973). In a tribute to Disques Ocora's exquisite design sensibility, the book is printed on 170 gsm Lumisilk matte art paper and bound in grey buckram with gold foil stamping on the cover and spine. The front cover includes a tipped-on glossy photograph by Charles Duvelle. Hardcover book; 10"x10"; 296 pages; 4.5 lbs. Produced and edited by Hisham Mayet.

Tracks:
1.1 Sakara Orchestra (Benin)
1.2 Court Orchestra of Naba Tigre (Burkina Faso)
1.3 Wame Igini Kamu (Papua New Guinea)
1.4 Sanzas Duet (Burkina Faso)
1.5 Samy Faly (Madagascar)
1.6 Pili Pe (Papua New Guinea)
1.7 Medzang Me Biang (Gabon)
1.8 Malinke Balafons (Guinea)
1.9 Laments (Papua New Guinea)
1.10 Cengunme;#769; (Benin)
1.11 Bopal Solo (Burkina Faso)
1.12 Balante Balafon (Guinea Bissaul)
1.13 Mbale;#769; (Centrafrican Republic)
2.1 Sohan Lal - Sodina (India)
2.2 Kheo Oudon - Khene Lao (Laos)
2.3 Madurai Ramaswami Gautam - Dhrupad (India)
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SKU: 56175892636

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Great paper and beginner friendly
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Works
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Works great for sublimation. Get plenty of sheets. Great value for the price. The paper is pretty thick and seems to hold a good amount of ink without smearing.
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My go-to sublimation paper for crafting
Size: 8.5"x11"
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New York, US
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My Go-To Sublimation Paper — Flawless Results Every Time
Size: 8.5"x11", Size: 8.5"x11"
This is hands down the best sublimation paper I’ve used and the only one I continue to buy. I get a perfect transfer every single time—no fracturing, no fading, and no uneven results. The paper dries fast, which makes my workflow so much smoother, especially when I’m producing items in batches. I use this regularly to make air fresheners and tote bags for my small business, and the color payoff is always vibrant and crisp. The transfer rate is excellent, and it works beautifully on light-colored, high-quality polyester and other sublimation-ready surfaces. If you’re a small business owner or crafter who values consistency, quality, and ease of use, this paper is absolutely worth it. I highly recommend it and will continue to repurchase.
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Jimmy
Whiting, US
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Best Sublimation Paper
Size: 8.5"x11"
I’ve been using A-Sub paper for my sublimation projects, and it is easily one of the best. The ink dries almost instantly once printed, so I don’t have to worry about smudging the design or getting those annoying "pizza wheel" marks from the printer rollers. The paper itself feels substantial and doesn't tear or curl easily. One of the biggest wins for me is that it never jams; it feeds through perfectly every time, saving me the frustration of wasting expensive ink and paper. When I go to press my designs, the ink releases almost completely, leaving very little behind on the paper and putting all that color onto the project. The final results look super professional, with colors that are vibrant and sharp rather than looking faded or dull. It has worked perfectly for everything I’ve tried so far, and if you want a reliable paper that gives you consistent, high-quality results, this is definitely the one to get.
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