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Hans Rudolf Zeller: Hans Rudolf Zeller - VINYL LPTitle: Hans Rudolf Zeller Artist: Hans Rudolf Zeller Label: Edition Telemark Product Type: VINYL LP UPC: 769791961722 Genre: Rock Release Date: 2016 09 23 Number of Discs: 1 2014 release. Hans Rudolf Zeller (b. 1934 in Berlin) is best known for being a music theorist, essayist and writer on contemporary music. His essays on Dieter Schnebel, Iannis Xenakis, micro tonality etc., often published in the German journal Musik Konzepte, are deemed being
Title: Hans Rudolf ZellerArtist: Hans Rudolf Zeller
Label: Edition Telemark
Product Type: VINYL LP
UPC: 769791961722
Genre: Rock
Release Date: 2016-09-23
Number of Discs: 1
2014 release. Hans Rudolf Zeller (b. 1934 in Berlin) is best-known for being a music theorist, essayist and writer on contemporary music. His essays on Dieter Schnebel, Iannis Xenakis, micro-tonality etc., often published in the German journal Musik-Konzepte, are deemed being among the best ever written on new music. Apart from that, he has since the 1960s maintained his own artistic work, most of which has not been published or only seen the light of day in private micro-editions. Zeller's work often involves combining multiple dimensions (texts, vocals, visual projections) into one cinematological literature. This LP edition is an attempt at collecting various elements of Zeller's work. All recordings have been made between 2006 and 2016, yet many of the underlying concepts date back to the 1960s or 1970s. Contained are two scriptophonies (works combining writing and vocals, with the notion of writing being extended in ways not unlike those Carlfriedrich Claus and Gerhard Rühm have shown), two vocal improvisations, one piece of Tesa sounds (sounds produced by adhesive tape), and one piece for horn. The full-color sleeve and inner sleeve show Tesa pictures made between 1961 and 1970, and one collage from 2010. There is one insert with detailed liner notes by Zeller in German and English, and another insert showing a relic of a scriptophony. Edition of 300.
Tracks:
1.1 Tesa-Klänge
1.2 Vokalphantasie
1.3 Scriptophonie
1.4 Musiktext
2.1 Parallelität
2.2 Stimmimprovisation
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It keeps them reading AND it keeps them occupied !
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