SKU: 19848870697

Haino, Keiji / O'Rourke, Jim / Ambarchi, Oren: I Wonder If You Noticed - I'm Sorry - Is Such A - VINYL LP

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Haino, Keiji / O'Rourke, Jim / Ambarchi, Oren: I Wonder If You Noticed - I'm Sorry - Is Such A - VINYL LPTitle: I Wonder If You Noticed I'm Sorry Is Such A Artist: Haino, Keiji O'Rourke, Jim Ambarchi, Oren Label: Black Truffle Product Type: VINYL LP UPC: 880319753039 Genre: Rock Release Date: 2016 05 27 Number of Discs: 2 Double vinyl LP pressing housed in a gatefold sleeve. The remarkable series of releases from the trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi continues with I wonder if you noticed "I'm sorry" Is such a lovely sound It keeps

Title: I Wonder If You Noticed - I'm Sorry - Is Such A
Artist: Haino, Keiji / O'Rourke, Jim / Ambarchi, Oren
Label: Black Truffle
Product Type: VINYL LP
UPC: 880319753039
Genre: Rock
Release Date: 2016-05-27
Number of Discs: 2

Double vinyl LP pressing housed in a gatefold sleeve. The remarkable series of releases from the trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi continues with I wonder if you noticed "I'm sorry" Is such a lovely sound It keeps things from getting worse, which presents the entirety of an 80-minute set performed at Tokyo's SuperDeluxe in March 2014. While the trio's 2012 performance was divided into two releases the single extended performance presented here ranges widely over terrain both new and familiar, from acoustic strings and collective chants to thunderous power trio moves. Throughout all of it's transformations, the music here is some of the riskiest and most abstract the trio have yet committed to record. Beginning with chiming percussion reminiscent of Haino's 1995 classic Tenshi No Gijinka, the first side is dominated by Haino's impassioned vocals and performance on the bulgari, a traditional Turkish string instrument. The end of the second side presents a special treat: Haino's first recorded outing on the contrabass harmonica, from which he coaxes bizarre, wheezing textures against a backdrop of spacious bass and percussion. O'Rourke and Ambarchi rarely adopt here the classic rock roles essayed on earlier releases. O'Rourke's bass, which takes center-stage surprisingly often, is sometimes so heavily processed by his array of pedals that it becomes a shifting electronic mass; at other times his roving chromaticism suggests a sort of fuzzed-out free jazz. Ambarchi spends much of the set exploring areas of tumbling free pulse; and even when he locks into a constantly repeated figure on the set's third side, he gestures as much toward Ronald Shannon Jackson's stuttering marching band funk as toward any classic rock moves. When the trio finally moves in the final quarter of the performance into an extended passage of rock riffing, the payoff is immense, as they craft a thudding one-chord epic reminiscent of some of the early Fushitsusha classics before Haino returns to the bulgari, bringing the set back to where it began. Continuing to explore new instrumental and dynamic possibilities while remaining grounded in the trio's previous work, this set also brings with it a unique pleasure for the non-Japonophone listener: for the first time Haino sings many of his metaphysically brooding lyrics in English. Gatefold sleeve with gorgeous photographs by Jim O'Rourke, designed by Stephen O'Malley. Cut by Rashad Becker at Dubplates & Mastering, Berlin.

Tracks:
1.1 Who Is So Cleverly Manipulating the Word 'Everything'
1.2 Be Careful of This Word 'New' with It's Glittering Trap
2.1 The Universe Is Tired Please for Just One Second Stop Thinking
2.2 That '?' Squatting Proudly at the Edge of Surface Tension Is It Perhaps a Mystery..?
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SKU: 19848870697

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We all know Hardy the novelist, but perhaps he is less well known as a poet. In this volume of over 900 pages, with nearly 1,000 poems, Hardy is colorful, chatty, direct, lyrical, thoughtful, deep. And perhaps his finest quality - at least so I find - is the fact that he is down-to-earth. His poems are not "difficult" for a reasonably literate, experienced reader; and the rhyming is never forced. In short, his poems are a delight.
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Thomas Hardy is my favorite novelist who has ever lived. I preface the review of this poetry anthology - which includes every one of the 900+ poems he wrote throughout his life, from the 1860s to just before his death in 1928 - in this way because I’m a bit biased. Hardy’s poetry is technically satisfying and nearly as moving as his novels, and you can tell that the same precision he brought to prose is on full display in his verse. I’m working my way through every single poem in this collection, and thus far my favorites are “The Convergence of the Twain” and “After the Last Breath.” There are other poets whose works I like better (Dickinson, Yeats, Wordsworth, and Whitman come to mind), but as an amateur Hardy scholar, reading this collection is positively invaluable to understand the full depth of his genius, and as always Wordsworth Classics delivers in terms of a quality paperback that should withstand years of enjoyment. I own many of their releases and have yet to find one that even slightly disappoints.
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