SKU: 38573461707

Chris Hein Winds Complete (2024)

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Description

Chris Hein Winds Complete (2024)30 . Experience the Complete Diversity of Wind Instruments! Discover the Chris Hein Orchestral Winds Complete Bundle, which offers you the full range of sonic beauty and flexibility. This comprehensive package combines the Chris Hein Winds Solo Vol. 1 5 with the Chris Hein Winds Ensemble, providing you with an unbeatable tool for your music production. Ideal for composers, arrangers, and music producers seeking authentic and powerful sounds. Whats

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Experience the Complete Diversity of Wind Instruments!

Discover the Chris Hein Orchestral Winds Complete Bundle, which offers you the full range of sonic beauty and flexibility. This comprehensive package combines the Chris Hein Winds Solo Vol. 1-5 with the Chris Hein Winds Ensemble, providing you with an unbeatable tool for your music production. Ideal for composers, arrangers, and music producers seeking authentic and powerful sounds.

What’s included in the Bundle?

The bundle includes the Chris Hein Winds Solo Vol. 1-5, which offers an exquisite collection of flutes, clarinets, oboes, bassoons, and deep flutes. These instruments are characterized by their authentic sounds and a variety of articulations that bring your musical ideas to life. The bundle is complemented by the Chris Hein Winds Ensemble, which provides you with a powerful orchestral experience. With this ensemble, you can emulate the dynamics and richness of a full wind orchestra in your compositions.

  • Combine the flexibility of solo instruments with the power of an ensemble to create stunning orchestral sounds.

  • Each sample has been recorded with state-of-the-art technology to deliver a lively and authentic sound.

  • All instruments integrate seamlessly into your preferred DAW, allowing you to start composing right away.

With the Chris Hein Orchestral Winds Complete Bundle, you not only receive an impressive collection of wind instruments but also a powerful tool for your music production. Whether you are an experienced composer or a passionate musician, this bundle provides you with everything you need to bring your musical visions to life.

Orchestral woodwinds for your computer in unheard perfection!

Chris Hein – Winds is an extensive woodwind library meeting the highest expectations regarding sound, quality, expression and usability. The library's instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.

Version 2 now features the following improvements:

  • improved tuning of almost all samples
  • improved phase-aligned samples
  • drastically reduced resource demand
  • improved legato transitions
  • optimised transition speed function
  • glide mode-slur for more realistic runs
  • optimised Touch OSC MIDI remote control
  • minor bug fixes

Registered users of the first version will find a free download of version 2 in their Best Service account!

Chris Hein – Winds consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons.

Vol. 1 - Flute

  • Flute Piccolo
  • C-Flute 1
  • C-Flute 2
  • Alto-Flute

Vol. 2 - Clarinet

  • Eb-Clarinet
  • Bb-Clarinet
  • Bass-Clarinet

Vol. 3 - Oboe

  • Oboe  
  • Oboe D´Amore
  • English Horn

Vol. 4 - Bassoon

  • Basson
  • Bassoon Barock
  • Contra Bassoon

Chris Hein – Winds focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use.

The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing to be desired – everything has been thought of! The extensive amount of samples is handled by Native Instruments´ powerful sample-engine, Kontakt Player. Expect a custom tailored user-interface and extensive scripting to meet the specific requirements of these instruments.

Chris Hein – Winds lives up to the expectations of both woodwind lovers and specialists demanding outstanding samples, comprehensive details, an elaborate selection of articulations and a versatile adaption to specific workflows.

The instruments can be loaded as full sample-sets, offering all articulations ready to be played on the keyboard. Thanks to the library´s modular concept, you can also call up significantly reduced versions to keep loading-times fast and memory usage low. In clean-start configuration, only a sustain-set is loaded into memory. Whenever needed, you can add further articulations and functions with a single click. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.

Chris Hein – Winds offers orchestral woodwind sounds tailored to perfection. Both the high quality gear such as selected Neumann microphones and the musician's significant performaces drive the sound aesthetics. Unlike the award-winning Chris Hein – Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.

For this library, dry close mic´ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other. Consequently, time-dependent articulations such as Dynamic Expression receive an especially coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.

Due to the sample-engine’s dual convolution reverbs and the intentionally dry sound of Chris Hein - Winds, you can easily adapt the instruments to various situations. The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creating any spatial environment, ranging from close intimacy to large orchestral halls. This makes Chris Hein – Winds significantly different to many competitors and their fixed spatial characteristics. It makes this library greatly variable and, additionally, combinable with almost any other library available.

Unique functions

Perfect dynamic transitions thanks to phase alignment

Over a research-period of six months, all samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.

Unique combination of short and long notes

The combination of long and short notes is a major problem in sample-libraries, that often fails to deliver authentically sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses these aspects by its „Note Head Designer“. For each sustain, you can call up short, adjusted sample variations, so called shorts, via the controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishingly realistic results that cannot be achieved using random round-robin based selections. Of course, these shorts are also available as individual articulations.

True Legato

The instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine picks the perfect note-transition out of more than 2,200 samples, resulting in unheard legato-realism. At the same time, it is possible to combine these realistic combinations with additional artificially inserted legatos.

Library extend

The library´s performance-data directly reflects the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, you can effectively play the library without any deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.

Thanks to four "Dynamic Modes", the "Note-Head Designer", "Key-Vibrato", "Hot-Keys" and the revolutionary concept of articulation-presets, the user-interface will give you the impression of actually playing these instruments live.

Main Features

  • 13 Orchestral Woodwind Instruments, 50 GB Content, 130.000 Samples, 13 Articulations

  • Up to 8 Dynamic Layers

  • Unique Phase-Align Technique, 4 Dynamic Modes, Dynamic Expression Sustains

  • Note-Head Designer, Hot-Keys, Intelligent Legato, Glide-Mode to play realistic runs

  • 10 built in DSP-Effects, 2 independent Convolution Reverbs, 63 high class impulse responses

  • Attack- & Release controls, Special Noise Controls

  • Ensemble Maker, Micro-Tuner, Adjustable Fader Settings in the UI

  • Intelligent LFO-Vibrato including EQ, Customizable Auto-Vibrato, Key-Vibrato

Free Kontakt Player included (version 5.5.0 or higher required)

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
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SKU: 38573461707

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A. Jimenez
San Leandro, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
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Terry L.
Louisville, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
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George Vargas
Port Orchard, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017
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Howard
New York, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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AlanWarner
Louisville, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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