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Description
Introduction to Working with LeatherCourse code: 25MBB303I This two day, in person workshop takes place at CBA on Saturday and Sunday, September 6th 7th, from 11AM to 5PM ET. Saturday, September 6th, from 11AM to 5PM ET Sunday, September 7th, from 11AM to 5PM ET Please Note: Registration for this workshop closes on August 23rd, at 11: 59pm ET. About the Workshop: This in person class at Center for Book Arts is taught by instructor Hadley Vogel. Building on the skills from Bookbinding
Course code: 25MBB303I
This two-day, in-person workshop takes place at CBA on Saturday and Sunday, September 6th - 7th, from 11AM to 5PM ET.
- Saturday, September 6th, from 11AM to 5PM ET
- Sunday, September 7th, from 11AM to 5PM ET
Please Note: Registration for this workshop closes on August 23rd, at 11:59pm ET.
About the Workshop:
This in-person class at Center for Book Arts is taught by instructor Hadley Vogel.
Building on the skills from Bookbinding IV, this workshop will review sewing while controlling the book swell for rounding the spine. We will then build on our headband previous experience by sewing a double core French headband, and prepare our text blocks for inboard covers. Special attention will be given to pairing the leather, and to all the steps leading to building a half-bound leather book (leather spine and corners).
Required Materials:
- Pencil and paper for taking notes
- Snap-off or Exacto knife and blades
- Bonefolder
All other materials will be provided by Center for Book Arts at no additional cost.
About the Instructor
Hadley Vogel (b. 1987) is a second generation bookbinder who apprenticed from an early age under her father Paul Vogel of the Vogel Bindery in East Hampton, NY. In addition to her apprenticeship on Long Island, Hadley worked under master binder Martín Farfán Patiño, of Farfán Encuadernadores, Mexico City, MX, where she honed her skills, focusing on restorations of historic volumes from Mexican museum and institutional collections. Since the opening of Hadley Hill Bindery, she has focused on the development of experimental forms, including plush bindings and the use of recycled fur, melding contemporary aesthetics with traditional construction processes.
All images courtesy of the instructor.
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