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Description
Kenko KFM-2200 Cine & Flash MeterIncident and Reflected Light Measurement Flash Metering and Sync Terminal Spherical 270 Diffuser Spot Angle of 1 Three Measuring Modes Digital LCD Display Viewfinder with Diopter Adjustment Frame Rates from 2 to 360 Shutter Speeds of 30 min to 1 16000 sec Aperture Range of f 1. 0 to f 128 The Kenko KFM 2200 Cine & Flash Meter is a digital handheld exposure meter capable of both incident and reflected light measurement, including flash and strobes. The
- Incident and Reflected Light Measurement
- Flash Metering and Sync Terminal
- Spherical 270° Diffuser
- Spot Angle of 1°
- Three Measuring Modes
- Digital LCD Display
- Viewfinder with Diopter Adjustment
- Frame Rates from 2 to 360
- Shutter Speeds of 30 min to 1/16000 sec
- Aperture Range of f/1.0 to f/128
The Kenko KFM-2200 Cine & Flash Meter is a digital handheld exposure meter capable of both incident and reflected light measurement, including flash and strobes. The KFM-2200 utilizes a spherical diffuser with a 270° rotation angle for most readings, including the ability to take a 1° spot measurement using the viewfinder. It can then use one of three measurement modes depending on your specific needs.
For working with both cinema and still photography use, there are a variety of additional settings, especially a large selection of shutter speeds from 30 minutes to 1/16000 second. It even features a flash sync terminal for metering your strobes for still photography. Also, it can display an aperture range from f/1.0 to f/128 and 9/10.
The digital LCD display is backlit to increase readability and shows a variety of parameters, each of which can be set to determine proper exposure values for your camera settings. The KFM-220 also features a viewfinder with diopter adjustment for taking spot measurements of reflected light. It includes a soft case and strap for storage and travel.
- Determine the proportion of flash to ambient light in a single measurement
- Flash sync terminal allows you to easily attach and meter flashes for still photography
- Optional flat diffuser is available for use as a simplified Lux meter
- Parallax-free optical system for spot measurement
- You can change the aperture, shutter speed, or ISO in order to get the data required for your shoot
- Latitude display function shows incident and spot light measurement together
- Shadow/Average/Highlight-based calculations are possible
- Memory function capable of storing up to 10 measured values
- Custom "Alt" mode lets you set the meter to your preferences, including exposure correction
- Measurements are shown on the analog and digital displays to eliminate possible reading errors
- Direct f-number display eliminates the need for f-number conversion
| Type | Handheld ambient and flash light meter |
| Reception Mode | Incident and spot |
| Receptor Head | Spherical diffuser |
| Receptor Element | Silicon photocell |
| Measuring Modes | AMBI Mode: Ambient light CORD Mode: Flash using a sync cord N CORD Mode: Flash without using a sync cord, incident light only |
| Measuring Range | ISO 100 Ambient Light, Incident: -2.0 to 19.9 EV Ambient Light, Spot: 2.0 to 24.5 EV Flash, Incident: f/1.0 to f/128 + 0.9 stop Flash, Spot: f/2.8 to f/128 + 0.9 stop |
| Measuring Distance | 1.3 m to infinity for spot measurement |
| Viewfinder | Single-lens reflect type with fixed focal point |
| Viewfinder Magnification | 1.2x |
| Viewing Angle | 12° (vertical) x 17° (horizontal) |
| Diopter Adjustment | -3.0 to +1.0 |
| Repeat Accuracy | ±0.1 EV |
| Calibration | Incident: C = 330 (spherical diffuser), C = 250 (flat diffuser) Spot: K = 14 |
| Display Range | Exposure: f/1.0 to f/128 + 0.9 stop in 0.1 stop increments EV: -17 to 40.9 in 0.1 stop increments Shutter Speed, Ambient: 30 min to 1/16000 sec Shutter Speed, Flash: 30 min to 1/1000 sec Frame Rate, 180°: 2, 3, 4, 6, 8, 10, 12, 14, 16, 18, 20, 24, 25, 30, 32, 36, 40, 48, 60, 64, 75, 90, 96, 100, 125, 128, 150, 180, 200, 240, 256, 300, 360 ISO: 3 to 8000 in 1/3 stop increments Exposure Difference: -10 to +10 in 0.1 stop increments Analog Scale: f/1.0 to f/90 in 1/2 stop increments Analyze Scale: Flash light proportion 0-100% in 25% increments |
| Battery Power | 1 x alkaline AA battery (LR-6/1.5 V) |
| Battery Life | Approximately 30 hours of continuous operation |
| Terminal | Flash sync terminal |
| Memory | 10 measured values |
| Exposure Calibration | -10 to +10 in 0.1 stop increments |
| Other Functions | Latitude display function, Light Ratio Analyze function, S/A/H calculation, Brightness difference function |
| Operating Conditions | Temperature: 14 to 122°F (-10 to 50°C) Humidity: 85% maximum, non-condensing at 95°F (35°C) |
| Storage Conditions | Temperature: -4 to 131°F (-20 to 55°C) Humidity: 85% maximum, non-condensing at 95°F (35°C) |
| Dimensions | 2.6 x 6.9 x 1.2" (6.6 x 17.5 x 3.1 cm) |
| Weight | 6.5 oz (185 g) |
| Packaging Info | |
|---|---|
| Package Weight | 1.2 lb |
| Box Dimensions (LxWxH) | 7.7 x 5.8 x 3.0" |
In the Box
Kenko KFM-2200 Cine & Flash Meter
- Case
- Strap
- Limited 1-Year Warranty
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4.4 ★★★★★
Based on 1768 reviews
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Product Reviews
★★★★★ 5
Wow, a great surprise dark comedy from the 1970s!
A real treat from Michael Ritchie (The Golden Child) with an excellent script, an A+ cast and plenty of action, despite the fact that it's really a very dark – almost surreal – comedy/satire about the meat industry in the 'American Heartland.'
As usual, Lee Marvin, Gene Hackman and Sissy Spacek bring their best work. very graphic cinematography, real physical special effects (no CGI) and good plot twists make it a riveting experience.
Highly recommended for those who like their dark satires well-done!
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Reviewed in the United States on July 15, 2024
★★★★★ 5
Lots of Action in this 70s Movie
I bought this movie for my husband and he really liked this 70s movie.
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Reviewed in the United States on March 4, 2026
★★★★★ 5
Not well known, but should be!
Two of my favorite male actors of all time creating an interesting movie, this one has it all!
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Reviewed in the United States on March 20, 2026
★★★★★ 4
Minor classic that pits Lee Marvin and Gene Hackman in thriller.
A terrific neo noir with touches of Hitchcock, “Prime Cut” revels in the cliches of many of the genres- the criminal with the heart of gold and the sleazy underworld of the bad guys.
Spoilers:
Set in the Heartland, the film. Follows Nick (Lee Marvin) an enforcer hired by the Irish Mob who is send to collect from Mary Ann (Gene Hackman-really!) the owner of a meat packing planet who has a prostitution racket on the side for young and underage girls. Mary Ann had been stiffing the Mob on a debt and each enforcer has been killed and sent back in an interesting way. Nick is horrified at the prostitution ring that Mary Ann runs; they have history as well and that history plays into the animosity of both men as they fight it out Ina thrilling conclusion. Towards the end of his career as an enforcer, Nick disliked the way his world has turned out.
Michael Richtie was at the beginning of his career as a director but was clearly in control as a director staging some thrilling scenes with echoes of Hitchcock’s classics “North by Northwest” and other classics. Richtie doesn’t ape Hitch so much as may the sequences work in the context of his film.
The 4 K and Blu-ray look terrific from a fresh transfer of the original camera negative. There’s virtually no issues with the films. Colors are strong, detail excellent and it looks of its time without any messing about with the image.
The mono audio pushes dialogue up front but there is a nice, robust feel to the rest of the mono soundtrack.
The film has two commentary tracks both very good (one has to use the audio selection to hear them as I didn’t see it in the main menu for the 4K). We find out, for example, that Hackman took his second billed role because he had just finished “The French Connection” and hadn’t worked for six months. Richtie and Marvin butted heads because Richtie wanted Marvin to do a love scene with the much younger Sissy Spacek in her debut. Marvin felt uncomfortable with that because of their age difference (she was 23 and Marvin was 49).
A Blu-ray (that was previously released a couple of years back) is also included. Kino has done a fine job of brining this minor classic to 4K and Blu-ray. One may feel like they need to take a shower after watching the film because of how sleazy Hackman plays an already nasty character like Mary Ann. Putting this in the heartland with all the corruption of the big city adds an element that is missing from many films like this. The corruption at heart of Mary Ann and the community he has tainted by his presence points to the rot that was growing in America at the time.
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Reviewed in the United States on September 21, 2024
★★★★★ 5
RIP Gene Hackman…Holy $?#! This movie!
Prime Cut is honestly more a 3 1/2 star movie however KINO gets 5 stars for releasing a beautiful transfer of this mean & nasty 70s crime drama that’s as violent as it is weird. Hackman as the Kansas City Gangster who makes enemies into hotdogs before sending them back, draws the ire of Chicago enforcer Marvin to collect a large sum of money from Mary Ann - Hackman’s name by the way. The Blu Ray doesn’t have much but if you like sleazy, mean, & odd 70s crime thrillers, take a hefty bite of this PRIME CUT.
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Reviewed in the United States on October 6, 2025