Chrysokoll Armband Cube 4 mm
SKU: 8720047020

Chrysokoll Armband Cube 4 mm

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Description

Chrysokoll Armband Cube 4 mmChrysokoll Armband Cube 4 mm trkisblaue Gelassenheit in besonderem Design Entdecke die faszinierende Schnheit dieses hochwertigen Chrysokoll Armbands mit 4 mm Cube Perlen. Der besondere wrfelfrmige Schliff bringt den Charakter und die intensive trkisblaue Farbe des Steins perfekt zur Geltung und verleiht deinem Handgelenk einen modernen, geometrischen Look. Dieses einzigartige Schmuckstck vereint zeitgemes Design mit der beruhigenden, harmonisierenden

Chrysokoll Armband Cube 4 mm – türkisblaue Gelassenheit in besonderem Design

Entdecke die faszinierende Schönheit dieses hochwertigen Chrysokoll Armbands mit 4 mm Cube-Perlen. Der besondere würfelförmige Schliff bringt den Charakter und die intensive türkisblaue Farbe des Steins perfekt zur Geltung und verleiht deinem Handgelenk einen modernen, geometrischen Look. Dieses einzigartige Schmuckstück vereint zeitgemäßes Design mit der beruhigenden, harmonisierenden Energie eines der schönsten blauen Heilsteine.

Der besondere Cube-Schliff

Die würfelförmigen 4 mm Perlen verleihen diesem Armband eine moderne, geometrische Ästhetik, die sich wohltuend von klassischen Kugelarmbändern abhebt. Jeder kleine Würfel ist präzise geschliffen und zeigt die natürlichen Farbverläufe des Chrysokolls – von tiefem Türkis über sanftes Blaugrün bis hin zu erdigen Brauntönen. Diese besondere Form macht das Armband zu einem echten Hingucker, der Tradition und Moderne elegant verbindet.

Das Armband ist auf elastischem Gummi gefädelt, sodass du es bequem an- und ausziehen kannst. Der Knoten wird dabei formschön mit einer Silberkugel kaschiert, die dem Design einen edlen Abschluss verleiht. Mit einer Länge von ca. 18,5 cm passt es den meisten Handgelenken perfekt und lässt sich wunderbar mit anderen zarten Armbändern kombinieren.

Was macht Chrysokoll so besonders?

Chrysokoll ist ein Kupfersilikat-Mineral, das durch seine leuchtenden türkis- bis blaugrünen Farbtöne besticht. Der Name stammt aus dem Griechischen: „chrysos“ (Gold) und „kolla“ (Leim), da der Stein in der Antike zum Löten von Gold verwendet wurde. Chrysokoll entsteht in Kupferlagerstätten und wird oft zusammen mit Malachit, Azurit oder Türkis gefunden, was ihm seine charakteristischen Farbverläufe verleiht.

Die beruhigenden Blau- und Grüntöne erinnern an klares Wasser und den weiten Himmel – Symbole für Frieden, Klarheit und emotionale Tiefe. Jeder Stein ist ein Naturprodukt mit individuellen Maserungen und Farbverläufen, die dein Armband zu einem einzigartigen Unikat machen.

Heilwirkung und spirituelle Bedeutung

In der Steinheilkunde wird Chrysokoll als kraftvoller Stein der Kommunikation und des emotionalen Gleichgewichts geschätzt. Der türkisblaue Edelstein soll dir folgende Unterstützung bieten:

  • Innere Ruhe und Gelassenheit fördern – hilft dir, Stress abzubauen und emotionale Anspannungen loszulassen
  • Kommunikation stärken – unterstützt dich dabei, deine Gefühle und Gedanken klar und authentisch auszudrücken
  • Emotionale Heilung – hilft dir, alte Verletzungen zu verarbeiten und emotionale Blockaden zu lösen
  • Selbstausdruck fördern – ermutigt dich, zu deiner Wahrheit zu stehen und deine Persönlichkeit authentisch zu zeigen
  • Weibliche Energie stärken – verbindet dich mit deiner weiblichen Intuition und sanften Kraft
  • Geduld und Akzeptanz entwickeln – hilft dir, Situationen anzunehmen und mit mehr Gelassenheit zu reagieren
  • Kreativität anregen – öffnet deine schöpferischen Kanäle und inspiriert zu künstlerischem Ausdruck
  • Herzensenergie harmonisieren – bringt Verstand und Gefühl in Einklang und fördert emotionale Balance
  • Angst und Schuldgefühle lösen – unterstützt dich dabei, negative Emotionen loszulassen und Vergebung zu finden
  • Verbindung zur Natur stärken – erdet dich und verbindet dich mit den heilenden Kräften der Erde

Chrysokoll wird dem Hals- und Herzchakra zugeordnet, wo er harmonisierend und öffnend wirken soll. Viele Menschen tragen diesen Stein, um ihre Kommunikationsfähigkeit zu verbessern, emotionale Wunden zu heilen und mehr inneren Frieden zu finden. Er gilt als Stein der Weisheit und des Mitgefühls, der dir hilft, mit dir selbst und anderen in liebevoller Verbindung zu sein.

Deine Vorteile auf einen Blick

  • Hochwertiger Chrysokoll in leuchtenden Türkis- und Blaugrüntönen
  • Besonderer Cube-Schliff (4 mm) für modernen, geometrischen Look
  • Elastisches Gummiband für bequemes Tragen
  • Elegante Silberkugel als Knotenverschluss
  • Armbandlänge: ca. 18,5 cm – passend für die meisten Handgelenke
  • Natürlicher Edelstein – jedes Armband ist ein Unikat
  • Perfekt zum Layering mit anderen zarten Armbändern
  • Handgefertigt mit Liebe zum Detail

Styling-Tipps für dein Chrysokoll Armband

Dieses Armband ist ein vielseitiger Begleiter für jeden Anlass. Trage es solo für einen minimalistischen Look, der die natürliche Schönheit des Chrysokolls in den Vordergrund stellt. Oder kombiniere es mit anderen zarten Armbändern in Silber, Gold oder mit anderen Edelsteinen für einen individuellen Layering-Style – besonders schön harmoniert es mit Larimar, Türkis oder Amazonit.

Die türkisblaue Farbe passt wunderbar zu neutralen Tönen wie Weiß, Beige und Grau, setzt aber auch neben warmen Erdfarben oder kräftigem Orange einen erfrischenden Akzent. Ob im Alltag, im Büro, beim Yoga oder bei besonderen Anlässen – dieses Armband begleitet dich mit seiner beruhigenden, harmonisierenden Energie durch deinen Tag.

Hinweis: Die Wirkungen von Heilsteinen sind nicht wissenschaftlich belegt und ersetzen keine medizinische Behandlung. Die beschriebenen Eigenschaften basieren auf traditionellen Überlieferungen und persönlichen Erfahrungen.

Material: Natürlicher Chrysokoll
Perlenform: Cube (Würfel), 4 mm
Armbandlänge: ca. 18,5 cm
Verschluss: Elastisches Gummiband mit Silberkugel
Besonderheit: Jedes Armband ist ein Unikat

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SKU: 8720047020

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4.3 ★★★★★
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C.J.
Birmingham, US
★★★★★ 4
Pretty Good... Not amazing.... But pretty good.
Format: Paperback
Before taking a stab at my first real story I have decided to read two books on the art of writing fiction; "Techniques of the Selling Writer" by Dwight Swain, and the book I am reviewing now, "Plot and Structure" by James Bell. While Swain's book was more of an all inclusive manual on writing interesting fiction, Bell's book is focused strictly on, as the name suggests, plot and structure. What this book is not... This is not a 'how to write a novel' book; if you are going to just read one book on writing a fiction novel then "Techniques of the Selling Writer" may be the more appropriate choice. If you are looking for a book that deals with anything outside of plot and structure, this book will be of no help there either. This book is designed to be supplemental to an already moderately educated reader. If you read Swain's book first, then you will instantly recognize the principles of this book. What this book is... This is a great book on, you guessed it, Plot and Structure. It's actually a fairly concentrated look into the subject. The chapters... Ch 1: What's a plot, anyway? Ch 2: Structure: What holds your plot together. Ch 3: How to explode with plot ideas. Ch 4: Beginning strong. Ch 5: Middles. Ch 6: Endings. Ch 7: Scenes. Ch 8: Complex Plots. Ch 9: The character arc in plot. Ch 10: Plotting Systems. Ch 11: Revising your plot. Ch 12: Plot Patterns. Ch 13: Common plot problems and cures. Ch 14: Tips and Tools for plot and structure. I found the specificity of this book very helpful with each principle being illustrated by a paragraph or so of a known author's work. Bell handpicks excerpts from authors varying from Dean Koontz to Herman Melville, brilliantly pulling text from these masters and showing us how they went about the relevant technique. This easy to read nature and well outlined subject matter means I will be using several of its chapters as a personal reference guide in the future. I'm certain it will keep me from making many of the mistakes beginning writers make and possibly save me weeks in rewrites. I will say this though... "Techniques of the Selling Writer" is a better book and covers plot quite well too; so if you are only going to read one book on writing, that is a damn good place to start. If you want to supplement that reading further, "Plot and Structure" comes highly recommended. [...]
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Reviewed in the United States on May 26, 2010
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fernando pedernera
Massapequa, US
★★★★★ 5
Have no fear!, or The writer's Victorinox.
Format: Kindle
You can't praise this book enough. There are a ton of how-to books out there, but this one really made a difference for me. Think of writing as a journey through the woods: You set up, you get in the muddle, and you come out (hopefully) on the other side. When doing this, we try to use as many tools and resources as we can to make it to the other side, but most of the time you fail (or tools fail on you) and you end up starving or being eaten by some wild animal in the muddle of the story. What James Scott Bell wants you to have in clear is that the most useful tool you can have out there is YOU. And all of his tips, advice and excercises are aimed to one thing and one thing only: how to unleash and harness the power of your story (and survive). It provides clear, straight-forward tools and tips, adressing many aspects of the writing process you won't find in many of them. It is a must-read for anyone interested in the study of plots and storytelling. Relevant examples that take in consideration a wide array of writer profiles, and Bell does not abuse with film examples (and most of the movies it references are also books i.e.: the maltesse falcon, the godfather, etc.). It contains useful excercises at the end of each chapter to help you put the tehcniques in practice and bring the best out of your learning experience. It really helped me overcome several issues I had with my novel-writing and opened my mind to a new scope on plot and str.. This is a wonderful book, written in the same gripping style that the author suggests to use, and with great success. I think this is a wonderful book because it does not give infalible advice. To me that is very important. Let me ilustrate how I felt by giving you the following example: (after developing content) -Regular book: so just do This (and fail, miserably). -Bell's book: Many writers had this problem before and by doing This you might also find a solution for it. In case That doesn't work, you could maybe try This, or come back at it again later on with a fresh view and give it another try.
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Reviewed in the United States on August 18, 2017
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Nancy C. Beck
Los Angeles, US
★★★★★ 5
Excellent resource
Format: Paperback
Two novel ideas ago, I had to put that one aside because I stuffed it to the point where the story made no sense. I intend to go back to it at some point, but for now, it's collecting dust. Also collecting dust is my more recent idea. I started with an outline (of sorts), wrote and rewrote it a few times...only to get stuck on Chapter 8 or so. I didn't know where to take the story. This one will probably never get resurrected...but you never know. Which leads me to one of the best things in this book: outlining with index cards. There's at least one other book touting this, but I'm sure there are others that do. What sets this one apart, in my mind, is his suggestions on how to set it up. This doesn't comprise a huge part of the book, but it made enough sense to me that I decided to give it a whirl. Almost 50,000 words later, I'm still chugging along, taking into mind his ideas (I'd never heard it put quite this way) about doorways of no return (more on that in a moment). Sure, I've made some changes, throwing out cards, rearranging cards, adding cards. That's the beauty of this system: it's not set in granite. If your muse takes you in a way that's different from what you originally wrote, go for it! Mr. Bell explains the doorways simply, at first, as transitions - from beginning to middle and then middle to ending. The first doorway gets your Main Character from beginning to middle; the idea is to create a scene where the MC is thrust into conflict in a way that keeps him/her there. With the second doorway (middle to ending), something has to happen to set up the final confrontation. It's usually a huge clue, a big piece of information, or a major crisis that sends the MC hurtling towards the conclusion. Mr. Bell explains these in greater detail, and I found his explanations quite understandable. But there's more to this book than that. Mr. Bell gets into how to come up with plot ideas, character arcs, revising, plot problems and cures, scenes, and tips and tools. I wasn't bothered by his reusing some of the same good writing examples, but it may make you cringe or roll your eyes. Other than that minor quibble, I think everything else about this book makes it shine as a writer's resource.
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Reviewed in the United States on December 1, 2006
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Corwin
Boise, US
★★★★★ 5
Most Helpful Book I've Read on Plot and Structure
Format: Paperback
This is a well-organized, easy-to-read guide to techniques used to develop plots and sound story structure. It includes 14 chapters and two appendices. They cover such topics as what a plot is, how structure holds plot together, how to get ideas, and how to handle/interweave plot into all the levels of a novel (from whole sections such as the Beginning or middle of the work, down to the micro level of individual scenes). He includes discussion of different "plotting systems" (from writing by "the seat of your pants" to types/methods of creating outlines of various levels of "thoroughness" for those interested in mild outlining to someone with full-blown OCD). It discusses complex plots and sub plots, character arcs in relation to plot, common problems and solutions, revision, and more. Every chapter ends with a few exercises to reinforce the topic covered. The two appendices are a checklist for reminding you of major plot components as you write, and how to create "back cover" (aka the blurbs on the back of your book, or the summaries on the inside flap of dust jackets). As a writer, I am a "seat of the pants" guy, who's reluctantly recognized it isn't working for me (a major motivation for getting this book). Bell's discussion of different styles of outlining, though brief, gave me ideas of how to proceed. While I've often read books that include exercises, I confess to rarely doing them -- Bell is an exception (no, I didn't do *all* of them, but.... :) ). His text uses plenty of examples, drawn from movies and well-known novels. I've read other works on plot and structure (both general books and at least two dedicated to these topics), and have found this one to be by far the most readable, instructive, easy-to-digest, and *helpful.*
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Reviewed in the United States on June 17, 2017
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Verified Purchase
Cora L. Foerstner
Bozeman, US
★★★★★ 5
I have a few instructional writing books I reread; this is one of them.
Format: Paperback
Plot & Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish by James Scott Bell may be the best book for plotting and creating structure in fiction stories that I’ve read. I have a few instructional writing books I reread; this is one of them. Plot & Structure works for writers who don’t use outlines and for those who do. Throughout Bell acknowledges and addresses how his ideas about plot and structure can be used by all writers. This isn’t a “my way or the highway” kind of book. Bell gives practical advice for all writers. What’s so great about Plot & Structure? The biggest plus is Bell’s practical and down to earth strategies and clear explanations. Here are the other greats: Bell’s approach isn’t a how-to formula; it’s more of a guide. His genre is thrillers, but he addresses the needs of other genres as well as those of literary fiction. He provides many strategies writers can use to approach plot and structure; plus, he encourages readers to find their own way of working. The exercises at the end of the chapters are practical. If you try some of them, you’ll discover that they aren’t busywork but helpful approaches to solving writing issues. Unless you’re a pro with so many publications behind you that you don’t need help, this isn’t a book to read once and put away. It’s a book you’ll come back to and get more out of with a second or third reading. If you want a formula or step-by-step program, this isn’t a book for you. He gives choices so you can find you own style and way of working. Which is one of the things like I about the book. It’s like going to a writer buffet and choose the strategies that work for you. If you are someone who writes without an outline, you are going to be surprised because Bell doesn’t leave you out of any of the equations. He has strategies for all writers.
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Reviewed in the United States on November 13, 2014

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